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  • About
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    • Mission
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    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
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    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
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      • Subscribe
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  • Events
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        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
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    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
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      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
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    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Newsletter image/svg+xml 2021 Timothée Giet April Marathon
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"April Marathon"

Art Law Blast

April 2024

Oleksiy Kustovsky, Boston Marathon 2024 Yana Stepanenko

It is spring again. The earth is like a child that knows poems by heart.

― Rainer Maria Rilke

Countdown is on. Spring internship is winding down and we are reading excited emails from our Summer 2024 cohort. We are putting finishing touches on the May Art Law Conference and we are looking to the end of our Fiscal Year (May 31st) with a raised eyebrow (if not a stretched out hand) thinking, who will make the list of Friends of the Center this year (will it be you? again?).

Our April 2024 Newsletter issue has an embarrassment of riches, including dream jobs (Provenance Researcher at Christies), terrific articles (Serra Art Law Obituary, case reviews, research on evidence for cultural heritage cases and AI/Human Art making), and important titles in our digital art law library.

If you missed any of our Spring 2024 events (Celestial Art Law was a blast), they are archived and waiting for you on our YouTube Channel. If you want to volunteer with the Center, or opine on how we can do things better in the coming FY, let us know. We are nothing if not creatively flexible and legally curious, working our art law muscles. Keep up the good work and remember, art law like life, it’s not a sprint, it’s a marathon and light shines in the darkness.

Onwards,

Center for Art Law Team

Image: Oleksiy Kustovsky

Content

  • Art Law In Brief
  • Special Events
  • Career and Learning Opportunities
  • Center for Art Law Events this Month
  • Case Law Corner
  • Center for Art Law Articles

In Brief

Yellow flower
  • Teacher Secretly Sold His Students’ Art on Mugs and Shirts

    Parents of a dozen students at a junior high school near Montreal, Canada have filed a lawsuit after finding thousands of items displaying student works, such as mugs, cushions, bags, and apparel, for sale online. In January, art teacher Mario Perron assigned students to draw a classmate or self-portrait in the style of Basquiat. On February 8th, a student showed his parent items for sale on Fine Art America, an online art marketplace, which displayed the works submitted by students and listed Mr. Perron as the artist. The parents sued Mr. Perron and the school board under the Canadian Copyright Act and are seeking 2.16 million Canadian dollars in damages. Read more here. (HJ)

  • Iconic Installation by Mary Miss in Des Moines Is Temporarily Saved From Demolition

    Parents of a dozen students at a junior high school near Montreal, Canada have filed a lawsuit after finding thousands of items displaying student works, such as mugs, cushions, bags, and apparel, for sale online. In January, art teacher Mario Perron assigned students to draw a classmate or self-portrait in the style of Basquiat. On February 8th, a student showed his parent items for sale on Fine Art America, an online art marketplace, which displayed the works submitted by students and listed Mr. Perron as the artist. The parents sued Mr. Perron and the school board under the Canadian Copyright Act and are seeking 2.16 million Canadian dollars in damages. Read more here. (HJ)

  • Artwork about Anti-Asian Discrimination Stolen From NYC Art Nonprofit

    A textile piece by Julia Kwon was stolen off the walls of the UrbanGlass Art Center in Brooklyn, New York in January 2024. The stolen work was entitled AAPI Hate Affects AAPI Mental Health (71.7% of the respondents who experienced hate incidents during the pandemic report anti-Asian discrimination to be their greatest source of stress, much higher than any other pandemic concerns) (2021). Kwon represented this statistic with a variety of multicolored silk rectangles stitched together to create a bojagi, a traditional Korean wrapping cloth. Security camera footage shows the thief coming into the gallery, taking the piece off the wall, shoving it in their pocket, and leaving the gallery. UrbanGlass curator Alpesh Patel said that the theft “feels like an act of hate upon a work dealing with hate.” Read more here. (HJ)

  • One Year & A Copyright Infringement Allegation Later, Digital Art Basel Shuts Down

    NFT website digitalbasel.io has been shut down after Art Basel accused the company of copyright infringement. Digital Basel claimed to sell NFT versions of artwork that usually participated in Art Basel fairs. The images used were often not for sale or even listed on Art Basel’s gallery website, but according to Digital Basel galleries would pay to have their art posted through their website. Meanwhile, multiple galleries have denied having a connection with Digital Basel. In March of 2023, Art Basle issued a cease-and-desist letter to Digital Basel in order to protect the gallery’s reputation and its artists’ rights. Read more here. (EJS)

  • Ruben Masterpieces Remain at the Courtauld Institute in London

    Three paintings by Peter Paul Rubens will remain in the collection of the Courtauld Institute in London, according to the UK’s Spoliation Advisory Panel. The paintings once belonged to a German banker, Franz Wilhelm Koenigs, until the bank liquidated its assets to Dutch bank N.V. Bankierskantoor Lisser & Rosenkranz. The paintings were then sold to Count Antoine Seilern, who gave them to the Courtauld. However, the bank’s shareholders have claimed ownership over these paintings. The U.K. Panel has argued that Koenigs used the paintings to secure a loan and thus lost his right to the work when the bank went into liquidation. Read more here. (EJS)

  • The Wizard of Oz’s Ruby Red Slippers Found Over the Rainbow

    In 2005, the Ruby Red Slippers from the Wizard of Oz were stolen from the Jury Garland Museum. Eighteen years later, Terry Jon Martin confessed to the crime, and now, Jerry Hal Saliterman has also been connected to the theft. Saliterman is charged with one count of theft of a major artwork and one count of witness tampering. The Ruby Red Slippers are valued at $3.5 million. Martin claims that he was instructed to steal the slippers by a mob associate and that he did not know of their cultural significance. Saliterman will reportedly plead not guilty. Read more here. (EJS)

  • Installation 'Ladies Lounge' is for Ladies Only

    Artist Kircha Kaechele’s, newest installation Ladies Lounge at Tasmania’s Museum of Old and New Art has caused the museum to be sued for discrimination. At Ladies Lounge, viewers are waited on by a butler and look at priceless art, but only women are allowed to visit. Jason Lau, paid the hefty $500 price for a ticket but was turned away when he tried to see the installation. Jason Lau subsequently sued the museum for discrimination. At the hearing, Kaechele’s supporters arrived in similar styles with matching red lips, and throughout the hearing, they moved in complete synchronicity. Kaechele argues that Tasmania’s Anti-Discrimination Act has a provision “that allows programs that promote equal opportunity for disadvantaged groups” and cites the fact that women have historically been discriminated against. Furthermore, the artist argues that part of the experience of the installation “is being denied something that is desired.” The decision is pending, but it is expected to be released soon. Read more here. (EJS)

  • Art Basel Hong Kong Returns Amid Political Tension

    Western media sources have voiced concerns about Hong Kong’s political situation and national security laws ahead of the return of Art Basel in Hong Kong. The city is hosting a number of art events in addition to Art Basel amid “Art March,” including Art Central and the Hong Kong Arts Festival, where taxpayers are footing the bill. The city’s West Kowloon Cultural District has found itself in economic trouble as a result of construction delays, cost surges and the Covid-19 pandemic. Concerns have increased about how the city will finance this mega arts hub among a huge projected fiscal deficit. Both citizens and international players are curious to see how this eventful art week unfolds. Read more here. (OZ)

  • Officer of Inspector General Audit Questions Smithsonian’s Use of CARES Act Funds

    A recent Office of Inspector General (“OIG”) audit revealed issues in the Smithsonian Institution’s use of Covid-19 relief funds received under the 2020 CARES Act. The United States government administered $7.5 million to the Smithsonian for pandemic-related purposes like deep cleaning, security, and staff overtime pay. The OIG’s report stated that the Smithsonian did not consistently spend CARES Act funds in accordance with the policies, laws, and procedures. Specifically, there were nine transactions totaling $1.6 million that the institution failed to adequately justify. Following a few notable fraud and misuse cases by other agencies, this incident reiterates the importance of tracking and justifying pandemic relief funds. The Smithsonian management team classified  the purchases of items not related to the pandemic as “simple mistakes.” Read more here. (OZ)

  • Over 4,000 Cultural Artifacts Have Been Repatriated to Peru from the US and Europe

    4,600 cultural assets, including textiles, ceramics, and clothing, have been repatriated to Peru from the United States and European countries such as Germany, Italy, and Switzerland. Peru’s Ministry of Culture and Ministry of Foreign Affairs worked with the consulates and embassies to return the objects to Peru. 4,556 of the 4,600 items returned came from a collection belonging to late American archaeologist John Rowe. Since 2019, Peru has recovered over 7,000 cultural heritage objects and has remained committed to combating the looting and trafficking of its cultural property. The cultural legacy of Peru is imperative for the country’s identity and the country sees preserving its heritage as important to strengthening sovereignty. Peru will continue seeking repatriation of Peruvian cultural items worldwide. Read more here. (OZ)

  • Over 100 Suspected Stolen Paintings Seized in Paris

    This February, over 100 Russian avant-garde paintings were seized from a Parisian art laboratory by French court bailiffs. The paintings allegedly belong to​​ Uthman Khatib, a Palestinian businessman located in Israel. Khatib claims that these paintings, among over 800 more, were stolen in 2019 from a storage facility in Wiesbaden, Germany, a theft worth over €100 million. Pieces stolen from this collection have also been located in various European auction houses, and Khatib’s son, Castro Ben Leon Lawrence Jayyusi, promises that he will continue to search for the remaining paintings. Read more here. HEG

  • GR2D Takes Copyright World by Storm

    The U.S. Copyright Office has proposed a change in rulemaking which will allow group copyright registration of up to ten two-dimensional artworks by the same artist, known as GR2D. If enacted, GR2D will allow an artist to register multiple pieces under one filing fee if they are published within the same thirty-day period. This change would significantly reduce costs for small artists hoping to file multiple pieces and possibly increase registrations. Public comments on this proposal were recently closed. Read the full proposal here. HEG

  • Recent Report Reveals Pieces in the Met’s Collection Were Trafficked and Looted

    The International Consortium of Investigative Journalists (“ICIJ”) has  reported that more than 1000 artifacts in the Metropolitan Museum of Art (“Met”) are linked to looting, trafficking, and lost heritage. Namely, an investigation of the Met’s antiquities collection raised red flags as to the origins of the ancient statues and relics. The ICIJ found that over 100 antiquities in the Met lack records back to a country of origin. Additionally, ICIJ found that, of a catalog of over 250 Nepali and Kashmiri artifacts, only three have origin records explaining how the pieces left the regions. This report reveals a key issue in the art market: transactions totaling millions of dollars may be made with insufficient due diligence by the museums or auction houses. A Met spokesperson said that the museum is in talks with Nepal’s government regarding objects in their collection, and looks forward to an open dialogue to reach a resolution. How the Met responds to these reports may influence how other museums proceed with these concerns going forward. Read more here. (OZ).

  • Japanese Artifacts found in Attic

    A late World War II veteran’s family recently found looted Japanese art in his  attic. His children found scrolls, maps, and pottery,  all dated  from 18th-19th century Japan. According to CNN, a letter was found among the pieces that confirmed  that they had been looted. The family contacted the FBI after discovering the artifacts in their attic, and the objects were returned to Japan in early March. Read more here. (SN).

  • Missing Mao

    Andy Warhol’s 1971 piece, Mao, was discovered to be missing from Orange Coast College, a California community college. The piece was given by an anonymous donor in 2020, but it was never put on display. Mao stayed in a vault in the college, which required  a key card and code to enter. The college began internal investigations in March, but has now reported the loss to the police. The silkscreen print is one of 199 prints of Mao Zedong created by Warhol between 1972 and 1973. Read more here. (SN)

  • Gary Tatintsian Gallery and Andrey Isaev Settle Suit

    The legal dispute between the Gary Tatintsian Gallery and collector Andrey Isaev over the ownership and sale of two Stanley Whitney paintings has been settled. Isaev claimed that the gallery never delivered either painting to him, collectively  valued at a total of $5.25 million US dollars. Because of this, Isaev bought a lesser valued Whitney painting for $1.85 million, with the agreement that the gallery would pay him back the difference of $3.4 million between this work and the original two Whitney paintings he purchased. As of December 2022, Isaev alleged that the Gallery still owed him $2 million dollars, leading Isaev to file a complaint against the gallery for civil theft and fraud in the inducement, ] in the United States District Court for the Southern District of New York. The owner of the gallery, Gary Tatinstian, announced that the gallery will pay Isaev back the $2 million dollars owed, plus interest. Read more here.  (SN)

  • Proposed CA Legislation to offer "morality and justice" in Nazi-era looted art cases

    California state legislators unveiled Assembly Bill 2867 on March 28, 2024 drawing inspiration from a recent court ruling in the Cassirer, et al v. Thyssen Bornemisza Collection Foundation case. This Ninth Circuit’s decision applied Spanish law rather than California law and allowed a museum in Spain to maintain possession of a Nazi-looted artwork. Therefore, the bill aims to help Holocaust victims by ensuring that California law, prioritizing morality and justice, prevails over foreign law in recovery cases of artwork and personal property lost due to persecution. Read more here. (AB)

Appraisers Association of America: 75th Anniversary Gala (SOLD OUT!)

Location:

Rainbow Room, Rockefeller Center (NYC)

Date:

Wed, Apr 24, 2024 6 PM

Sold out! Waitlist available.
Please contact Teresa Caputo, Program Director, to be added to the waitlist.

tcaputo@appraisersassociation.org

FYI

Berkeley Art, Finance, and Law Symposium 2024 (May 16)

Interdisciplinary Symposium

Location:

SFMOMA 151 3rd St San Francisco, CA 94103

Date:

Tue, Apr 23, 2024 1 PM

The latest developments at the intersection of art, finance, law, technology, and culture are featured at the upcoming symposium, intended for professionals and enthusiasts interested in cutting-edge research at the intersection of art, finance, law, technology, and culture. Prominent speakers from academia, government, and practice will come together to share their insights on various topics pertinent to the field.

Learn More
Event info Berkley 2024

Art Law in Paris (May 22, 2024)

Lecture Series at Science Po

Location:

Paris, France

Date:

Wed, May 22, 2024 5 PM

Join us for the second installment of a two-part lecture series in Paris (in-person) and online. This event will focus on the rapidly evolving landscape of AI regulations in the EU, particularly in the context of the EU AI Act, and their implications for the visual arts sector.

RSVP and Share
Paris event spring 2024

Center for Art Law Annual Art Law Conference 2024 (May 29, 2024)

Conference

Location:

Brooklyn, NY

Date:

Wed, May 29, 2024 12 PM

Remember Sex and the City (Season 6, Episode 16)?

Where to?
Brooklyn. Please.
I don’t go to Brooklyn.
Yeah, neither do I.

Well, that was so 20 years ago! You are invited to our annual Art Law Celebration, a.k.a. Conference at Brooklyn Law School.  All the cool kids (lawyers, journalists and judges) will be there! See you in Brooklyn!

RSVP

ARCA Art Crime Conference

Location:

Amelia, Italy

Date:

Fri, Jun 21, 2024 12 AM

RSVP
Screen shot

Career Opportunities

  • Legal Council, The British Museum (Apr 2024)

    Part-Time (3 days per week)

    Permanent

    £46,742 per annum (Full Time Equivalent)

    Application Deadline: 12pm (midday) on Tuesday 9 April 2024

    This is an exciting and unique opportunity for an experienced lawyer to join the Legal Services team at The British Museum.

    The successful candidate will contribute to implementing the Museum’s Legal Strategy and delivering a sector-leading advisory function. They will provide colleagues around the Museum with accurate, timely and effective advice.

    Joining a small and collegial team with a busy and varied workload, candidates will have relevant experience gained in leading firms or comparable in-house roles. They will work closely with the rest of the Legal Services team and Governance Department to deliver high-quality and strategic legal support to colleagues around the institution.

    Applicants will have in-depth technical knowledge across a range of key legal areas, including commercial, contract, intellectual property and charities law. They will be adaptable, responsive, and actively engaged in commercial and legal issues relevant to the Museum and Cultural sectors.

    The role is part-time (3 days per week), with the possibility of spreading working hours flexibly across the week.

    Key Areas of Responsibility:

    • Provide high quality in-house legal advice;
    • Contribute to implementation of the Museum’s Legal Strategy;
    • Work with external legal advisers as required, ensuring value for money;
    • Represent the Museum and communicate on its behalf with third parties and relevant external and internal stakeholders;
    • Design and provide in-house training courses as required; and
    • Provide other support as required.

    Person Specification:

    • Admitted as a practising solicitor or barrister in England and Wales.
    • Relevant experience either in-house or in private practice.
    • Sound knowledge and experience of relevant law and practice.
    • Able to: carry a varied and unpredictable workload and work to tight deadlines; assess commercial risks efficiently; clearly and concisely provide advice; understand the operational ramifications of advice and find practical solutions; apply knowledge/skills through handling complex problems within and outside area of expertise.
    • Professional manner, objectivity, and commercial negotiation skills.
    • Able to: listen, and to argue cases coherently with tact and sensitivity; support others in complex decision making; communicate complex legal matters in a clear, straightforward way.

    About the British Museum:

    Founded in 1753, the British Museum’s remarkable collection spans over two million years of human history and culture. The Museum is one of the leading visitor attractions and its world-famous collection includes the Rosetta Stone, the Parthenon sculptures, Egyptian mummies, the Admonitions Scroll, and the Amaravati sculptures.

    The Museum offers a competitive benefits package including:

    • Generous annual leave allowance of 25 days (rising to 30 days after 10 years’ service) plus 2.5 privilege days and plus bank holidays
    • Membership of the civil service defined benefit pension scheme (find out here what benefits a civil service pension provides).
    • Free entry to a wide range of museums and exhibitions
    • Participation in private and public Museum activities, including talks by leading curators from around the world and behind-the-scenes opportunities to learn how museums care for and manage their extraordinary collections
    • Interest-free travel, bicycle and rental deposit loans
    • Professional and personal development opportunities
    • Employee Assistance Programme
    • Discounts on food and gift shop purchases

    Additional details:

    For more information about this role, please see the job description.

    If you have any additional needs that we should be aware of in order to support you with your application, please provide details to bmrecruit@britishmuseum.org.

    The British Museum is committed to promoting equality of opportunity for all staff and job applicants. We aim to create a working environment in which all individuals can make best use of their skills, free from unlawful discrimination or harassment. We value the benefits that a diverse workforce brings to a Museum which represents world culture. The Museum is committed to ensuring that no job applicant suffers unlawful discrimination because of any protected characteristics. Our recruitment procedures aim to ensure that individuals are treated because of their relevant knowledge, skills and experience.

    We offer a flexible way of working scheme that allows our employees to work remotely in a way that suits them and the organisation. We welcome questions and conversations at interview stage about how flexible working could work for you.

    The Museum adheres to the HMG Baseline Personnel Security Standard (BPSS) for pre-employment screening of Civil Servants.

    RSVP HERE

  • Trust & Estates Paralegal/Fiduciary Accountant, Sullivan Law

    Location: New York, NY

    More info HERE

  • Guest Experiences Supervisor,  The Museum of Science and Industry

    Location: Chicago, IL

     

    The Guest Experiences Supervisor is responsible for managing the day-to-day operations of the Guest Engagement Facilitator (GEF) team and supports the Guest Experiences (GE) Department leadership in the delivery of world-class, educational, and engaging experiences including tours, live science demonstrations, and in-depth VIP experiences for all guests, including special event guests. This role will work closely with the Guest Operations (GO) Department, Special Events, and other Museum departments, and work to ensue all Guest Engagement team members are guest-ready and deliver excellent and consistent guest services. This role will also supervise Guest Engagement Facilitator 1s and 2s.

    More information HERE

     

  • Attorney Advisor, International (Copyright), Patent and Trademark Office

    Location: Alexandria, VA

     

    This position is located in the Office of Policy and International Affairs (OPIA), United States Patent and Trademark Office (USPTO).

    As an international copyright attorney-advisor this position will be responsible for ( example) — Assisting the Under Secretary of Commerce for Intellectual Property and the Director of the USPTO in advising the President, through the Secretary of Commerce and Federal agencies, on domestic and international intellectual property issues as well as U.S. treaty obligations.

    Apply HERE

     

  • Assistant Director, Programs, New York University 

    Location: New York, NY 

    Learn more HERE

  • Restitution Researcher, Christie's (NYC)

    Specific duties & responsibilities will include but are not limited to:

    • Executing due diligence checks on consigned property; including cross-referencing databases, maintaining records, checking archives and library work
    • Executing and supporting in-depth research into collectors, collections and objects to support future sales and claims discussion
    • Researching and inputting into restitution databases; maintaining integrity of information
    • Assisting in preparation of client facing materials, management reports as directed
    • Maintaining departmental library and materials
    • Contributing to training programs.
    • Team administration and support, as needed
    • Other projects as directed

     

    The Candidate

    • Excellent art historical knowledge and understanding of the events of the Nazi-era
    • Familiarity with restitution issues
    • English fluency; ability to research in German, French preferred; other languages desirable
    • Meticulous and focused approach with a strong eye for detail
    • Team player with an ability to work with all departments at Christie’s
    • Ability to work under pressure

    Learn more and apply HERE

Learning Opportunities

  • Heritage and Memory Studies (Heritage Studies)

    Across the world, heritage is seen as a corner-stone of cultural identity, a resource for more sustainable living environments and a universal right to cultural expression. Simultaneously, urban and rural spaces, buildings, monuments and even intangible forms of everyday culture are increasingly stage-managed, commodified and imbued with nostalgia. The past is frequently turned into an arena of current social and political conflict.

    More Info HERE.

  • Membership Directory: Association of Critical Heritage Studies

    Take a look HERE.

    Also note that the 7th Association of Critical Heritage Studies (ACHS) 2024 will be held in Galway, Ireland, at the National University of Ireland, from the 3rd to the 6th of June 2024.

  • The Christie’s Grant for Nazi-era Provenance Research 2024

    Christie’s is delighted to announce the second year of the Christie’s Grant for Nazi-era Provenance Research, supporting the next generation of provenance researchers in this field. The grant will be offered to four recipients (£5,000 each), to fund forward-thinking academic, post-graduate research into subjects related to Nazi-era provenance research and restitution.

    Deadline to apply: 17 April – 30 June 2024

    More Details HERE

  • Self-Funded PhD: Understanding Cultural Legal Studies: Interrogating Legal Meanings in Artistic and Popular Culture

    Location: University of Dundee

    Apply by June 30, 2024

    Emerging out of traditions of law and literature, critical legal studies, and law and popular culture, cultural legal studies is an international field that has recently emerged at the cutting edge of the interdisciplinary study of law. 

    This project seeks proposals for studies that are committed to examining any aspect of the complex interdisciplinary questions opened up by this cutting edge and burgeoning disciplinary arena. It particularly welcomes proposals aimed at elaborating or consolidating the innovations of the cultural legal method, or demonstrating these innovations through in-depth analyses of examples from artistic or popular culture (including the institutional forms of law).

    For informal enquiries about the project, contact Dr Thomas Giddens (t.giddens@dundee.ac.uk) and read more HERE. 

  • IFAR is accepting article submissions

    CALL FOR PAPERS: The IFAR Journal fosters interdisciplinary dialogue and welcomes submissions from diverse perspectives, including art historians, legal scholars, museum professionals, government officials, and policymakers. IFAR Journal seeks the following types of papers: research articles, case studies, exhibition and book reviews, and original scholarship on a range of topics spanning but not limited to:

    ▪ Legal frameworks for the protection and preservation of cultural heritage
    ▪ Case studies on landmark art law decisions and their implications
    ▪ Authentication issues and the role of scientific analysis in art attribution
    ▪ Due diligence in art transactions and the mitigation of legal risks
    ▪ Ethical considerations in the display and interpretation of cultural objects
    ▪ Intersectionality of art, law, and social justice movements
    ▪ Challenges and opportunities posed by digital art, NFTs, and blockchain technology
    ▪ Best practices for provenance research and restitution efforts

    Learn more HERE

sponsors wanted

Sponsors Wanted

We welcome sponsors for our Art Law Conference 2024! The story we tell on the 29t of May will cover creation, legislation, litigation, journalism and judicial work of all the different art law players.  “Art Law: The Story” will present the captivating narratives behind litigating, reporting, and judging art law cases.

Do you want to be part of the story? If you are an active member of the art world please reach out! This year we will bring together dynamic panels with invaluable insights into the multifaceted world of art law AND enrich the experience with exhibitors and a silent auction. All funds raised will be used to support our artists’ rights initiatives and bolster the Center’s efforts to provide accessible and affordable legal resources to the artistic community.

Learn More and Support our Work
calling all artists

Silent Auction AND Design Contest OH MY!

Calling all artists! Show off your artistic skills while supporting the Center for Art Law. From now until May 3rd, the Center is accepting submissions for its first-ever design contest. The theme is Ode to Art & Culture in Brooklyn. Your design could be featured on Center for Art Law tote bags, postcards, and notebooks! Help the Center for Art Law raise funds and serve the art community. You can check out the rules and submit your design in our bio.

The winner will receive 3 tote bags, 20 postcards, 3 notebooks, and a complimentary ticket to our Art Law Conference in May. We will share updates on the winning design at the end of May — around the time of our annual Art Law Conference — as well as more information on how to place an order for your own Center for Art Law tote bag, postcard, or notebook!

Is design not your thing? Please share our design contest with the artistic friends, family, and people in your life!

Contact Us

On Our Calendar

Art & Copyright Law Clinic (April 2024)

Wednesday, April 10, 2024 at 5:30 pm
Clinic
cover for workshop on o1 visas

The O-1 Visa & the Impact Elections Have on Immigration

Tuesday, April 16, 2024 at 12:00 pm
Workshop

Celestial Art Law: Zoom Out There

Wednesday, April 17, 2024 at 12:00 pm
Webinar
event promo with photos of speakers and names.

Some Like it Digital: AI-Generated Art, Litigation & the Law

Thursday, April 25, 2024 at 12:00 pm
Some Like it Digital

April 2024 Case Law Corner

Becker – Douglas v. Bonnier Books UK Group Holdings [2024] EWHC 77 (Ch).

Frida Kahlo Corp. v. Individuals, No. 1:24-cv-01805 (N.D. Ill. Mar. 4, 2024)

Galin v. Hamada, 283 F. Supp. 3d 189 (S.D.N.Y. 2017).

Heritage Auctioneers & Galleries, Inc. v. Christie’s, Inc., 2018 NY Slip Op 30255(U) (N.Y. Sup. Ct. Feb. 8, 2018).

Huckabee v. Meta Platforms Inc., No. 1:23-cv-09152 (S.D.N.Y. 2023).

Judd Found. v. Kukje Gallery, Inc., 2024 N.Y. Slip Op 30384 (N.Y. Sup. Ct. 2024).

Read Case Summaries and MORE...

Art Law Bookshelves

Witnesses to History: A Compendium of Documents and Writings on the Return of Cultural Objects

by Lyndel V. Prott, et al.

Are you interested in the return of cultural objects? Do you want to know more about the fight against illicit trafficking in cultural property? UNESCO has just published the Compendium Witnesses to History edited by Professor Lyndel V. Prott. It is 438 pages of reliable information from some of the worlds leading experts in the field of return and restitution of cultural objects and it extends beyond the purely legal aspect. The Compendium gives an outline of the historical, philosophical and ethical aspects of the return of cultural objects (e.g. cultural objects displaced during war or in colonial contexts), cites past and present cases (Maya Temple Facade, Nigerian Bronzes, United States of America v. Schultz, Parthenon Marbles and many more) and analyses legal issues (bona fide, relevant UNESCO and UNIDROIT Conventions, Supreme Court Decisions, procedure for requests etc.).

Available HERE

Crime and the Art Market

by Riah Pryor

Taking the perspectives of a journalist and a criminal researcher, Pryor examines high-profile criminal cases, illuminating concerns relevant to the art market’s behavior.

Available HERE

Treasures into Tractors: The Selling of Russia’s Cultural Heritage, 1918-1938

by Anne Odom, et al.

Sixteen scholars from Russia, Vienna, and the United States explore the fate of Russian art collections and libraries following the Russian Revolution in 1917, the institutions and individuals responsible for their sale, and the prominent collectors, libraries, and museums that acquired them. Unlike the widely publicized controversy surrounding Soviet-Nazi war loot and its restitution, the sales of the interwar period are not well known outside a small scholarly community. This volume reveals the extent of the Soviet government’s voluntary “realization” of Russia’s cultural patrimony between 1918 and 1938 and its consequences for both the international art market and the perception of Russian art.

Available HERE

War and Justice in the 21st Century: A Case Study on the International Criminal Court and its Interaction with the War on Terror

by Luis Moreno Ocampo

Moreno Ocampo received the unprecedented mandate to trigger the International Criminal Court’s investigation into sovereign states in June 2003, just three months after the Iraq invasion. At the time, there were serious doubts about the ICC’s viability. By 2012, the end of his tenure, the future of the ICC was no longer at risk. However, as Moreno Ocampo’s experiences have shown, what was and still is up for debate is the Rome Statute’s ability to “contribute to the prevention” of future crimes.

Available HERE

Allied Looting in World War II: Thefts of Art, Manuscripts, Stamps and Jewelry in Europe

by Kenneth D. Alford

Looting has long been recognized as one of the crimes committed by the Third Reich during World War II, a crime which stripped economic wealth and artistic treasures from the populations the Nazis terrorized. This historical text reveals the shocking extent of looting by Allied forces, exploring their thievery against the Germans and others. It follows the journey of the Hungarian Crown Treasure from a muddy oil drum in Austria to Fort Knox and back to Hungary, and discusses numerous lost treasures ranging from priceless art works to rare manuscripts, including the earliest known printing by the Gutenberg press.

Available HERE
book cover of Brill Research Perspectives in Art and Law

Brill Research Perspectives in Art and Law

by Tiziana Andina

The interdisciplinary English language journal Art and Law aims to gather contributions to the debate at the intersection of art and law. “The focus of the journal involves all the aspects (philosophical, juridical, sociological, technological, and cultural) characterizing the relationship between art and law. Each issue will be intended as a monographic volume devoted to a specific topic.” “The journal is conceived for a specialized audience, both graduate students and scholars working in the areas of law, art, philosophy, art criticism, history of art, cultural criticism, and social sciences.” The first issue of the journal was published in 2017, and as of 2018, there will be four issues released each year.

Available HERE

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What the Heck is Copyright (2)

What is Copy, Right?

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2026 edition explores Visual Art, AI, and the Law in the 21st Century.

 

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Check out our recent article by Lauren Stein revie Check out our recent article by Lauren Stein reviewing Amy Werbel’s "Lust on Trial: Censorship and the Rise of American Obscenity in the Age of Anthony Comstock." Werbel's book showcases a portrait of Anthony Comstock, America’s first professional censor, a man obsessed with purity and self-control who regarded masturbation as a sign of moral corruption. 

Read more about this public figure and Werbel's telling of his life including the impact he had on the US's early attempts to curtail desire in the decades before World War I, in Lauren's review. 

 📚 Click the link in our bio to read more! 

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #bookreview #censorship #artistissues
One of our interns, Jacqueline, stopped by the Mor One of our interns, Jacqueline, stopped by the Morgan after the blizzard to catch their exhibition, “Caravaggio’s Boy with a Basket of Fruit in Focus." In partnership with the Foundation for Italian Art and Culture (FIAC) and on loan from the Galleria Borghese in Rome, this is the first time in decades that Caravaggio's early masterpiece has come to the United States. 

"The Morgan is just two blocks away from my university, the Graduate Center. The library and museum have been a rich resource for me, representing an institution that honors the rich legacy of its collector, while also maintaining exciting rotating exhibitions," Jacqueline said. 

The painting is in conversation with other works by those who influenced Caravaggio and those he subsequently inspired. The exhibition's sparkling 3-month run comes to a close April 19.

📚 Check out more information on the exhibition using the link in our bio!

#centerforartlaw #artlaw #artmuseum #caravaggio #themorgan #nyc #artlawyer #legalresearch
Check out our upcoming bootcamp on Artist-Dealer R Check out our upcoming bootcamp on Artist-Dealer Relations, now available online!!

Center for Art Law’s Art Lawyering Bootcamp: Artist-Dealer Relationships is an in-person, full-day training aimed at preparing lawyers for working with visual artists and dealers, in the unique aspects of their relationship. The bootcamp will be led by veteran attorneys specializing in art law.

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to the main contracts and regulations governing dealers' and artists' businesses. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in the specificities of the law as applied to the visual arts.

Bootcamp participants will be provided with training materials, including presentation slides and an Art Lawyering Bootcamp handbook with additional reading resources.

Art Lawyering Bootcamp participants with CLE tickets will receive New York CLE credits upon successful completion of the training modules. CLE credits pending board approval.

🎟️ Grab tickets using the link in our bio!

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #artistdealer #CLE #trainingprogram
Join us on May 27 for the highly anticipated Art L Join us on May 27 for the highly anticipated Art Law Conference 2026, held at Brooklyn Law School and Online (Hybrid). Entitled “What is Copy, Right? Visual Art, AI, and the Law in the 21st Century,” this year’s conference explores the evolving relationship between visual art, copyright law, and artificial intelligence.

Our event will feature a series of dynamic panels, each offering invaluable insights into the rapidly shifting landscape of art and copyright law. Together, let’s trace the impact of copyright law on visual arts, examine the U.S. Copyright Office’s landmark reports on AI, and contemplate the future of licensing in a world where registration is no longer enough.

In addition to substantive portion of the day, our conference with feature exhibitors and a silent auction aimed at raising funds to support Center’s Summer Internship program and bolster our efforts to provide accessible and affordable legal resources to the artistic community.

🎟️ Find more information and grab your tickets using the link in our bio! 

#artlaw #centerforartlaw #artlawyer #legalresearch #copyrightlaw #artcopyright #copyright #ailaw #artlawconference #nyu
Check out the newly released podcast episode! Andr Check out the newly released podcast episode! Andrea and Paris speak with Elysia Borowy, Executive Director of the Rema Hort Mann Foundation, Christy Ceriale, founder of the foundation’s Young Collectors Initiative, and Antonio Vidal, one of the recipients of the 2026 Emerging Artist Grant.

Through these three perspectives, they explored the inner workings of one of New York’s most prominent art foundations, hearing firsthand about the realities of running a philanthropic arts organization, building a career as a working artist, and navigating the world of collecting as a young person in the city.

Founded in 1995, the Rema Hort Mann Foundation supports both emerging visual artists and individuals battling cancer, providing grants and resources at pivotal moments in their lives and careers. 

🎙️ Click the link in our bio to listen anywhere you get your podcasts! 

#centerforartlaw #artlaw #artlawyer #legal #research #podcast #legalresearch #newepisode #artmarket
Join the Center for Art Law on April 30th in conve Join the Center for Art Law on April 30th in conversation with author and prosecutor Adena J. Bernstein as she examines the legal and ethical complexities surrounding the restitution of Nazi-looted art. 

Drawing from her book Stolen Legacies: The Fight for Nazi-Looted Art, she explores how different countries have addressed Holocaust-era cultural theft through legislation, litigation, and museum policies. The discussion will review key restitution frameworks, including the Washington Principles, evolving provenance research standards, and the role of courts in resolving ownership disputes decades after the Holocaust. Bernstein also reflects on the human aspect of these cases and why unresolved cultural losses remain an enduring legal and moral legacy of World War II.

🎟️ Get your tickets using the link in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #nazilootedart #restitution #stolenart #artcrime #internationallaw
Digital repatriation is a practice being used by m Digital repatriation is a practice being used by museums to "return" a digital version of a work to source communities while retaining the physical object. Digitization itself can increase eduction and access to items, but does a digital version of an object truly act as a sufficient substitute to the heritage contained in the original or does it create a further layer of colonial control through the access to such digital property?

Read out recent article by Afroditi Karatagli to learn more about the impact of digital repatriations and what actions should be taken instead. 

📚 Find the full article using the link in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #digitalrepatriation #digitalart #artmarket #artistissues #museumissues
Join us for a on April 9th for a new colloquium on Join us for a on April 9th for a new colloquium on the legal foundations for restitution of Nazi-looted art. Raymond J. Dowd will discuss his recent article "Taking The Profit Out of War: Why International Law Requires Restitution of Nazi-Looted Art" published in the Fordham Law Review Online. He will delve into the impact of international property law on those looking to bring restitution claims. 

🎟️ Grab you tickets using the link in our bio!

#centerforartlaw #artlawyer #artlaw #restitution #nazilootedart #lootedart #artcrimes
In January, two Roman bronze statutes of toddlers In January, two Roman bronze statutes of toddlers reaching for partridges, were returned and displayed by the Spanish Museo Arqueológico Nacional. The statues had previously been sold by Christie's in 2012 to a private collector. Christie's had stated the statues came from an unnamed collector, who had gotten them from Giovanni Züst. This was determined to be false. 

After a lengthly journey through the Swiss legal system, due to a Swiss man stating the statues were in his family, before being taken by an Italian man, and then later false documents being prepared prior to the Christie's sale. Later investigators in Spain determined the statues were looted property taken from Spain around 2007. The statues were voluntarily restituted 

📚 Read more using the link in our bio! 

#centerforartlaw #artlaw #artlawyer #legalresearch #looting #artcrimes #spain #restitution
You may have noticed our February newsletter arriv You may have noticed our February newsletter arrived twice, think of it as an encore. March has arrived with its familiar whirlwind, and like many of you, we find ourselves following world affairs with disbelief, dismay, and a deepening sense of urgency. Mahatma Gandhi observed that “the difference between what we do and what we are capable of doing would suffice to solve most of the world’s problems.” At the Center, we believe that building knowledge, access, and community in art law is one meaningful way to solve some of the world’s problems; we wish we could do more. 

🔗 Check out our March newsletter, using the link in our bio, to get a curated collection of art law news, our most recent published articles, upcoming events, and much more!!

#centerforartlaw #artlaw #artlawyer #lawyer #artissues #newsletter #march #legalresearch
Don't miss out on our upcoming Copyright Clinic on Don't miss out on our upcoming Copyright Clinic on March 18th!! Join us for an informative presentation and pro bono consultations to better understand the current art and copyright law landscape. Copyright law is a body of federal law that grants authors exclusive rights over their original works — from paintings and photographs to sculptures, as well as other fixed and tangible creative forms. Once protection attaches, copyright owners have exclusive economic rights that allow them to control how their work is reproduced, modified and distributed, among other uses.

Albeit theoretically simple, in practice copyright law is complex and nuanced: what works acquire such protection? How can creatives better protect their assets or, if they wish, exploit them for their monetary benefit?

🎟️ Grab tickets using the link in our bio!

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #copyright #CLE #trainingprogram
September of 2025 stuck a potential death blow to September of 2025 stuck a potential death blow to the NFT market: Christie's announced the closing of their digital art department. It had only lasted 3 years. NFTs experienced a incredibly  fast tracked rise and fall in popularity, leaving behind questions as to their continuing value and ownership rights. And yet, there could be some lasting change on how digital ownership will continue moving foward. 

📚 To learn more about this niche and potentially, completely, disappearing market read Shaila Gray's recently published article using the link in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #nfts #blockchain #digitalart #artmarket #artistissues
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