• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Our articles image/svg+xml 2021 Timothée Giet Opinion image/svg+xml 2021 Timothée Giet Introducing: ART IN BRIEF (aka our podcast)!
Back

Introducing: ART IN BRIEF (aka our podcast)!

February 10, 2025

cover of podcast comlete
By Center for Art Law Editorial Team
Warfare of Art and Law (with artist and attorney Stephanie Drawdy), The Art Law Podcast (with  Steve Schindler and Katie Wilson-Milne, the art law power-couple from SCH), The ALA Podcast (from the fabulous Art Lawyers Association in the UK) — there is a lot of terrific content out there making our foray into the podcast realm a cautious one. But if you know nothing about our Center, you know that we believe that one can never have too much art law. So, after much talking about having our own podcast, we are thrilled to have ventured into this new (for us) form of communicating with our growing audience. What pushed the conversation from offline discussions in board meetings and dive bars to execution? In 2024, Paris Sistilli, an art law enthusiast and a podcaster, visited the Center’s office in Brooklyn with a question: “Have you ever thought of doing an art law podcast?” “Actually…” and after introducing her fellow Sciences Po Parisand Columbia U. alumna and podcast colleague, Andrea Konigs, and some constructive back and forth, we are thrilled to introduce to you the two co-hosts of the brand new art law podcast with a catchy (we hope) name of ART IN BRIEF.

Meet Andrea and Paris:

Andrea Konigs

Andrea is an arts professional and a recent graduate of the dual degree program between Sciences Po Paris and Columbia University. After studying Art History and Political Humanities, she works as an Associate Art Advisor at The Fine Art Group in New York City, specializing in Post War and Contemporary art and artists. Andrea’s deep interest in art law stems from her academic background, where she studied about law, politics, and the art world. Her work focuses on legal aspects of art transactions, intellectual property, and the protection of cultural heritage, with a commitment to navigating the complexities of the art market.

Paris Quetzal Sistilli

Paris is a multilingual graduate of the Dual BA Program between Sciences Po Paris and Columbia University, where she studied Political Humanities and Political Science with a regional focus on the Middle East. Her passion for art law stems from her academic foundation in cultural heritage and legal studies, deepened through her experiences with organizations such as the Antiquities Coalition and museums like the Whitney Museum of American Art. She is particularly fascinated by the connection between art and law in post-conflict zones, the role of technology in cultural heritage protection, and the complexities of international provenance. These interests have culminated in the creation of Art in Brief, which she is thrilled to launch in collaboration with the Center for Art Law and Andrea.

Listen to ART IN BRIEF

Available on Spotify and ApplePodcasts, the first episode of ART IN BRIEF aired (is that what they do?) on January 27, 2025, and we anticipate releasing new episodes every two weeks. In the pilot, Paris and Andrea sat down with our very own Irina Tarsis and Atreya Mathur to pick their brains over what’s hot (and what’s not) in art law, plans of the Center for 2025 and some suggestions for pre-law reading of top cases. It was not easy with so many opinions and growing pains. The result? You decide!
As for us, we are looking forward to learning together and working with Andrea and Paris. They seem to be of similar mind. But don’t take our written word for it! Here are a few words from our co-hosts:

Andrea and Paris

We’re thrilled to introduce ART IN BRIEF, a podcast from the Center for Art Law where we, Paris Sistilli and Andrea Konigs, break down the biggest and most exciting questions surrounding art, law, and the fascinating world of art law. From copyright disputes and contracts to art theft, provenance, and intellectual property, we’ll explore the issues that shape the art world today. Our goal is to make these complex topics accessible and engaging for anyone with an interest in this intersection—whether you’re a student, an artist, or just someone intrigued by the legal side of culture. Center for Art Law has always been a hub of knowledge for us, and through this podcast, we hope to continue contributing to its mission of educating and consolidating information in an approachable and dynamic way. Tune in and join us as we unpack the stories, challenges, and breakthroughs that drive the art world forward!
~ Paris and Andrea Konigs and Paris Sistilli

Thanks and Logistics

We will be updating and improving the landing page for ART IN BRIEF. In the meantime, feel free to send us your feedback, share ideas and questions for future episodes and don’t forget to like and comment on the engaging content from Andrea and Paris. We hear it helps with the algorithm and makes our voluntary work easier.
Many thanks to all who have been assisting with podcast brainstorming and feedback. Special thanks to Atreya Mathur and Louise Carron for handling the podcast’s copyright and contract matters. Cover Art by Kira Kotler Design and Music by Roy Tabet.

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous Welcome to the AML Regulations and the Art Market: Our Comparative Study by Jurisdiction (1st ed) is Published
Next New York City is the Capital of Art Law!

Related Art Law Articles

Maryan Kushnir Kyiv Jun 15 2026

Kyiv-Pechersk Lavra

World Heritage Site Attacked

Ukrainian museums and cultural centers, such as this 11th century UNESCO site are under attack. Learn about Cultural Heritage at Risk.

UNESCO Site
Center for Art Law

Follow us on Instagram for the latest in Art Law!

And finally...here's to our Undergrad Summer 2026 And finally...here's to our Undergrad Summer 2026 interns! 

Dylan Cosgrove is a rising undergraduate senior at the American University of Paris, pursuing a B.A. in Finance with minors in Art History and Economics. Drawing on experiences across fashion, law, and finance - alongside coursework at Sotheby's - her interests sit at the intersection of capital markets, legal frameworks, and cultural value. She has developed a particular interest in art finance and the mechanisms through which law shapes the movement and monetization of art, and looks forward to exploring these themes further as she advances her academic and professional career.

Natasha is an undergraduate student pursuing a BA in History of Art at The Courtauld Institute of Art, with a particular interest in Modern and Contemporary British art. She currently serves as Events Coordinator for The Courtauld’s Art Law Society. Her academic interests include intellectual property and copyright law, restitution, and the protection of architectural heritage. Since November 2025, she has also volunteered with the Centre’s Nazi-Looted Art Restitution Project, and looks forward to continuing her contribution to the project while also working across other areas of the center over the summer. 

Swipe through to learn more about this year's cohort and join us in welcoming them to the Center for Art Law! 👏
Say hello to the Center for Art Law's Summer 2026 Say hello to the Center for Art Law's Summer 2026 interns🗽

Victoria Cook is a second-year law student at Queen's University and a Philosophy graduate from St. Francis Xavier University whose background includes artist advocacy and arts administration. Her interests focus on cultural heritage and restitution, authentication, and copyright. 

@hannahegadway is a rising 2L at Harvard Law School and a Summer 2026 legal intern with the Center for Art Law. She graduated from Harvard College in 2025, where she majored in History & Literature. Hannah is interested in art law-related questions concerning museum provenance and the Internet. 

Ian Silverstein is a dual-degree candidate at Rutgers University, pursuing a J.D. at Rutgers Law School alongside a graduate degree in Cultural Heritage and Preservation Studies, with a certificate in Intellectual Property Law. He is a painter and visual artist and has conducted separate research on emotional and aesthetic responses to art. His museum research has been supported by the NEA, and he holds a certificate in Art as a Global Business from Sotheby's Institute of Art. Ian’s illustrations can be seen in the NYTimes shortlisted book by Andrew Shtulman, titled ‘Scienceblind: Why Our Intuitive Theories about the World Are So Often Wrong’. 

Eleanna Antonatou is an LLM candidate in Art, Business and Law at Queen Mary University of London and a Law LLB graduate from the University of Nottingham. Her experience spans vacation schemes at international law firms across London, Athens, and Geneva. Her interests centre on intellectual property, dispute resolution, and the regulation of cross-border art transactions. 

@rebecca.caitlin is a rising 2L J.D. candidate at New York University School of Law. She completed her undergraduate degree at Middlebury College, where she studied philosophy, English, & American literatures, writing a thesis on contemporary feminist poetry’s power to cultivate moral behaviors in readers. Rebecca is interested in the overlap of human rights and art law, and particularly in cultural heritage/cultural property law, repatriation and restitution of stolen or looted cultural objects, & museum law.
Say hello to the Center for Art Law's Summer 2026 Say hello to the Center for Art Law's Summer 2026 Graduate Interns🎓

Sam Brady-Myerov is a rising second-year master’s student in the History, Theory, and Criticism of Architecture and Art program at MIT. She earned her BA in Art History and Political Science from Washington University in St. Louis in 2025 and was awarded a Fulbright Research/Open Study Award to Brazil. Her work focuses on urban decoration and the negotiations through which artists, architects, institutions, and public and private actors shape shared visual space.

Sophia Molina is a recent graduate of Wesleyan University, where she studied History and Fine Art. Her academic and professional work focuses on the intersections of art and politics, with particular interests in museum provenance, cultural heritage preservation, and cultural diplomacy. She has conducted research and worked in communications roles at institutions including the National Museum of Women in the Arts and the National Trust for Historic Preservation.

Kira Hernandez is a recent graduate of Williams College, where she received her B.A. in Art History and Justice & Law Studies. Currently, Kira is pursuing a M.S. in Informatics at San Jose State University, where her research focuses primarily on museum informatics, collections management systems, and improving the integration of provenance research into public-facing databases.

Cara Ianuale is a recent graduate of Brown University, where she earned degrees in the History of Art & Architecture and English. Her senior thesis in art history explores how artist Sherrie Levine’s solo exhibition of rephotographed images challenges the foundations of copyright. She is broadly interested in the intersection of art and intellectual property, and intends to study law in New York. 

Lena Rohde is a recent graduate of NYU's Institute of Fine Arts, having just obtained her M.A. in the History of Art and Archaeology. She completed her undergraduate studies in 2024 with an Honours Art History and French degree from the University of St. Andrews. Her primary interests include cultural heritage protection, provenance and restitution, and intellectual property.
The passage of the Holocaust Expropriated Art Reco The passage of the Holocaust Expropriated Art Recovery (HEAR) Act was intended to help Holocaust survivors and their heirs pursue the recovery of artworks lost during the Nazi era. However, as recent litigation demonstrates, significant legal hurdles remain.

In Bennigson v. Solomon R. Guggenheim Foundation, courts grappled with questions of Nazi-era sales under duress, provenance research, and the equitable defense of laches. This case demonstrates the tension between historical justice and legal doctrines designed to protect defendants from stale claims.

📚 Click the link in our bio to read the complete article by Lauren Stein and Donyea James!

#centerforartlaw #artlaw #artrestitution #HEARAct #holocaustart #provenance #museumlaw #culturalheritage #legalresearch
On June 13, Center for Art Law Switzerland was pro On June 13, Center for Art Law Switzerland was proud to present the panel discussion Art Markets and the World in Transition — Frameworks Shaping Global Collecting as part of the official Zurich Art Weekend 2026 program @zurichartweekend 

Thank you to our speakers for such a rich and candid discussion:

@thomstauffer
@stefanputtaert 
@pascalrobertgallery 
@alanakushnir 
@willkorner 

The conversation covered cross-border collecting challenges, Switzerland's distinctive regulatory position on freeports and due diligence, the impact of AML regulation on galleries and fairs, generational shifts among collectors, and what a more transparent and legally sound international art market could look like, and was moderated by Irina Tarsis, Founder of Center for Art Law.

We're deeply grateful to our sponsors, whose support made this event possible: @t_transporte.zuerich, @artdomains, @smartstamp, TRACE, and The Edge.

Our thanks go as well to Landesmuseum Zürich for hosting us, and to the Zurich Art Weekend team for welcoming this panel as part of the official 2026 program. 

#centerforartlaw #artlaw #artlawyer #zürich #internationallaw #amlregulation #galleryissues
Murals have long been central to artistic expressi Murals have long been central to artistic expression, from ancient cave paintings to the large-scale public works of the Mexican Muralists and contemporary street artists. Despite their renown in art history, muralists do not often receive the same legal protections afforded to other visual artists.

Although recent legal developments have expanded federal protections for muralists under the Visual Artists Rights Act (VARA), many states continue to subject muralists to additional licensing requirements and regulations. California’s recent initiatives highlight ongoing efforts to address this disparity and raise broader questions about how the law defines artistic labor.

📚 Click the link in our bio to read the complete article by Walker Schulte Schneider!

#centerforartlaw #muralart #artlaw #VARA #muralists  #publicart #legalresearch #artistsrights
That’s a wrap on the 2026 Center for Art Law Summe That’s a wrap on the 2026 Center for Art Law Summer School! 🎉

Over five days in New York City, participants explored art law through lectures, discussions, site visits, and conversations with leading attorneys, scholars, appraisers, artists, and art market professionals.

From contracts and copyright to AI and provenance research, students gained a deeper understanding of the legal issues shaping today’s art world while building connections with peers who share similar passions.

Thank you to our speakers, hosts, sponsors, and participants for making this year’s Summer School such a success. We loved spending the week with you and look forward to seeing where your art law journeys take you next! ⚖️🎨🗽 

#centerforartlaw #artlaweyer #summerschool #artlaw #legalresearch
Thank you for joining us this Saturday for our pan Thank you for joining us this Saturday for our panel discussion at the Landesmuseum as part of the official program of Zurich Art Weekend 2026 @zurichartweekend 

With a fully booked audience, inspiring perspectives from leading voices @thomstauffer @stefanputtaert @alanakushnir @willkorner @pascalrobertgallery, and a warm welcome at an iconic venue, it was a truly memorable event! 

Thanks to everyone who came along - it was a blast💥 

Special thanks to our sponsors @smartstamp @t_transporte.zuerich, the Edge, TRACE and @artdomains!
How do artists, attorneys, and cultural institutio How do artists, attorneys, and cultural institutions navigate copyright law in an era of AI and rapidly evolving case law?

Our latest article revisits our latest Art Lawyering Bootcamp on Copyright Law from February 4th, highlighting conversations on fair use, moral rights, copyright registration, estate planning, and the legal questions raised by generative AI.

📚 Read the full article by Alexandra Kharchenko at the link in our bio!

#centerforartlaw #artlawyer #copyrightlaw #artlaw #AIandArt #fairuse #intellectualproperty #artistrights #copyright
Join us for an informative guest lecture and pro b Join us for an informative guest lecture and pro bono consultations on legacy and estate planning for visual artists.

Calling all visual artists: join the Center for Art Law's Artist Legacy and Estate Planning Clinic for an evening of low-cost consultations with attorneys, tax experts, and other arts professionals with experience in estate and legacy planning.

After a short lecture on a legacy and estate planning topic, attendees with consultation tickets artist will be paired with one of the Center's volunteer professionals (attorneys, appraisers and financial advisors) for a confidential 20-minute consultation. Limited slots are available for the consultation sessions. 

🎟️ Grab tickets using the link in our bio! 

#centerforartlaw #artlaw #clinic #artlawyer #estateplanning #artistlegacy #legal #research #lawclinic
As AI enters all parts of the legal sector, it has As AI enters all parts of the legal sector, it has also been implemented in Alternative Dispute Resolution mechanisms. The American Arbitration Association and the International Centre for Dispute Resolution recently introduced the "AI arbitrator" in November 2025. 

The process is relatively simple, though it remains reserved for construction cases and subject to the review of a human arbitrator. The tool was created to offer more cost- and time-efficient options. The question remains, if current ADR AI tools can be envisioned in art law disputes, particularly given the individualistic features of art law claims and how they may, or may not, be addressed through the use of AI in ADR procedures

📚 Click the link in our bio to read the full article by Marina Rastorfer!

#centerforartlaw #artlaw #legal #artlawyer #legalreserach #ailaw #aiart #adr #alternativedisputeresolution
Don't miss our upcoming conversation with Dr. Rubi Don't miss our upcoming conversation with Dr. Rubina Raja, Professor of Classical Archaeology and Art at Aarhus University, as she presents contemporary, collaborative approaches to combating the illicit trade in antiquities, with a particular focus on Palmyra (Tadmor), Syria.

Drawing on the historical relationship between collecting and looting, the discussion will highlight the Palmyrene Portrait Project, a corpus of over 4,000 funerary portraits from Palmyra compiled by Dr. Raja and her team since 2012. The project serves as a critical record of material that, in many cases, remained in situ prior to the outbreak of the Syrian Civil War.

Before its inception, this body of material had not been treated as a unified corpus, nor systematically digitized. Today, the project stands as both the largest corpus of individual Roman period portraits from a single urban context and an essential scholarly and practical tool for identifying objects from Palmyra as they emerge on the art market.

Please note this event will not be recorded. 

🎟️ Get tickets now using the link in bio!

#centerforartlaw #arlaw #artlawyer #legalresearch #culturalheritage #artcrime #antiquities
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law

Loading Comments...

You must be logged in to post a comment.