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Home image/svg+xml 2021 Timothée Giet Speaker image/svg+xml 2021 Timothée Giet Catherine Hickley
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Catherine Hickley

March 26, 2025

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Catherine Hickley is a Berlin-based arts journalist. She is the Museums & Heritage editor of The Art Newspaper and a regular contributor to the arts pages of The New York Times. She is the author of The Munich Art Hoard: Hitler’s Dealer and His Secret Legacy, published in English by Thames & Hudson and in German by Czernin Verlag. A graduate in French and German from London University, she held a variety of roles at Bloomberg News between 1997 and 2013, including Berlin bureau chief and the editor responsible for European government and political news.

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On October 6, 2025, the Flemish Government announc On October 6, 2025, the Flemish Government announced plans to transform the Museum of Contemporary Art Antwerp (M HKA) into an art center — a change that would make the institution lose its legal museum status and transfer its collection to the Stedelijk Museum voor Actuele Kunst in Ghent. Losing this status will have huge legal, financial, and cultural repercussions for the M HKA. 

This decision raised strong reactions from the art world, denouncing the false administrative logic behind this reorganization, which, according to the Flemish Minister of Culture, aims to strengthen collaboration and coherence within the cultural landscape. How does this transfer truly impact the Belgian artistic landscape — and does it really contribute to any coherence, or does it instead destroy the long-term curation and expertise that the institution has built in Antwerp?

📚 Click the link in our bio to read the full article by Alexandra Kharchenko. 

https://itsartlaw.org/art-law/flemish-governments-plan-to-dismantle-m-hkas-collection-in-the-name-of-centralization-of-art/ 

#centerforartlaw #artlaw #legal #artlawyer #legalresearch #artcuration #MHKA #artcuration
Thank you to all of our sponsors for all of their Thank you to all of our sponsors for all of their help in executing our 2026 Art Law Conference!!

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
This is the final day to bid in our Annual Art Law This is the final day to bid in our Annual Art Law Conference 2026 Silent Auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

Don't miss out on the amazing pieces  and experiences up for grabs!

 Biding will end May 27 at 5:30pm ET.

1st: Floragen 2.0.1 by Colleen Hoffenbacker 
2nd: Jumping Frog by Vija Doks 
3rd: Untiled no.11( Amy Hollywood) by Andre Pace 

🖼️ Follow the link in our bio to begin bidding! 

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
In 1935 Ernst Magnus was forced to sell "The Virgi In 1935 Ernst Magnus was forced to sell "The Virgin and Child with Saint Anne" and other works in order to escape the Nazi regime. In 1941 the painting was sold to Hermann Göring and was then recovered by the Allies at the close of World War II. By the 1960s the painting was held by the Bayerische Staatsgemäldesammlungen.

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🔗 Check out more about this work and it's provenance using the links in our bio!

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Make sure to check out our Annual Art Law Conferen Make sure to check out our Annual Art Law Conference 2026 Silent Auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

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🗽 Swipe to preview a selection of the consultations & experiences that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

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Historical examples of famous fakes and forgeries Historical examples of famous fakes and forgeries explain how technical skill is not the only factor that allow forgeries to flourish in the art market. Historical context — as illustrated by World War II-era cases — or, in the modern world, the lack of due diligence and risk assessment and failures of authentication, show how a combination of factors allows forgeries to flourish in particular contexts. 

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🔗 Click the link in our bio to read the complete article by Lauren Stein to get a deeper understanding of the vulnerabilities of the art market!

https://itsartlaw.org/art-law/when-imitation-is-not-flattery-art-fakes-forgeries-and-the-market-they-fool/ 

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Don't miss out on our Annual Art Law Conference 20 Don't miss out on our Annual Art Law Conference 2026 silent auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

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📚 Swipe to preview a selection of the books that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
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In last night's evening sale, Christie's successfu In last night's evening sale, Christie's successfully auction off Picasso's L'Atelier for $6.9 million. The painting was previously in art dealer Douglas Cooper's collection prior to it being stolen in 1974. It was later  found in Japan

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Look! 2026 Art Law Summer School is in session! Look! 2026 Art Law Summer School is in session!
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