The Library
Below is a list of books and journals that the Center for Art Law compiles in our quest to keep track of the art law publications and relevant scholarship.
If you are working on a new title, or your book is already out, and you would like to have it included in the Repository, please send us information about it (Title, Author/Editor(s), Date of Publication; ISBN, short summary, link to your publisher/distributor).
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Cultural Objects and Reparative Justice: A Legal and Historical Analysis
“Cultural Objects and Reparative Justice provides a comprehensive legal and historical analysis surrounding a highly debated current question: Where should cultural objects that were removed without consent be located? This book follows an innovative, interdisciplinary approach based in law, history, art history, anthropology, and archaeology and proposes a paradigm for reparations.
Tracing the historical foundations of the current legal framework, the work closely examines three factors that heavily informed the cultural heritage debate since the late eighteenth century: the rise of the encyclopaedic museum, the development of archaeology as a science, and the appropriation of objects in the context of armed conflict and colonialism.”
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Cultural Objects and Reparative Justice: A Legal and Historical Analysis, Patty Gerstenblith, January 2024
Art for War: Heritage Looting, Blood Antiquities, and the International Fight Against Terrorism Financing
“Understanding the world of art—particularly antiquities and archaeological artifacts—requires tracing how objects are removed from the ground, displaced by conflict or economic hardship, and ultimately reappear in the international art market. The odyssey of an artifact from its excavation site to an auction house, a private collection, or a museum display case raises a host of pressing concerns about the fragility of cultural heritage but also the global mechanisms that sustain its circulation. In recent years, growing awareness of a possible link between the illegal antiquities trade and terrorist financing has brought new scrutiny to regions marked by war and instability, particularly in the Middle East. In such places, archaeological sites are especially vulnerable to looting and illicit excavation, with the profits from these “blood antiquities” sometimes flowing back to fund further violence.
Art for War examines how this transformation in perception—from an archaeological concern to a matter of international security—reshaped the global response to antiquities trafficking. Viewing the trade through a security lens, the book offers scholars, policymakers, and students of international affairs a new way to understand how the protection of cultural heritage became entangled with the politics of counterterrorism and global security sparking new debates over art, heritage, and security.”
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The Art Law Blog
Donn Zaretsky with John Silberman & Associates comments on various art-related topics. (Last Post: September 18, 2022)
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The Art Market During the Nazi Occupation
“The art market in France was surprisingly flourishing under the Occupation. Almost two million works of art changed hands between 1940 and 1944. Over 35,000 trains left Paris loaded with artwork and spoliated objects, in particular those belonging to Jewish families. What practices and what networks did those in the art market put in place during this five-year period? Who were they? What role did the French national museums play in this market?
The film offers a historical investigation into the massive transfer of artwork organised from Paris. It is a unique investigation, and the fruit of 7 years of work by historian Emmanuelle Polack, which brings together gallery owners, collectors, art dealers, Nazi dignitaries, auctioneers, unscrupulous curators, or simple intermediaries against a background of antisemitic occupation laws corroborated by the anti-Jewish legislation implemented by the Vichy government.
It’s a blind spot in collective memory that echoes the current debate on the restitution of artworks, as in January 2020, two very special events occurred. In France, the Louvre Museum undertook a mission to restore to their rightful owners the works acquired by the Museum during the Occupation. In Germany, three works from the Dorville Collection, found at the home of the son of German art dealer H. Gurlitt (charged by Hitler with expanding his museum in Lintz) were returned to the family.”
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Business and Legal Forms for Fine Artists
“The fourth edition of this eminently useful book includes new forms for hiring and firing employees, agreements to arbitrate, promissory notes, and general releases. Also included are a contract for the sale of an artwork, contract for a commission, delivery-of-art confirmation form, artist-gallery contract, contract for an exhibition loan, model release, commercial lease, sublease, and lease assignment, and much more. Each form includes step-by-step instructions, advice, and unique negotiation checklists for making the best deal possible. A convenient CD-ROM lets buyers customize and print their forms from any PC or Mac. Every fine artist needs a copy of this remarkable guide!
Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don’t aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.”
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Books Reviews
Book Review: “Lust on Trial: Censorship and the Rise of American Obscenity in the Age of…
Book Review: “All That Glitters: A Story of Friendship, Fraud and Fine Art” (2024)
Book Review: Caveat Emptor: The Secret Life of an American Art Forger (2012) by Ken Perenyi
Book Review: “Art & Crime” (2022) by Stefan Koldenhoff & Tobias Timm, eng. ed.
Book Review: “Museum Administration: Law and Practice” by Walter Lehmann (2022)
Book Review: “Posthumous Art, Law and the Art Market,” Sharon Hecker and Peter J. Karol, eds.…
Book Review: The Art Collecting Legal Handbook, Bruno W. Boesch And Massimo Sterpi, eds. (3rd ed.,…
Book Review: “Lost Art: The Art Loss Register Casebook Vol I” (2021) by Anja Shortland
Book Review: “The Whole Picture: The Colonial Story of the Art in Our Museums & Why…
Art Law Journals
Book Review: “Females in the Frame: Women, Art, and Crime” (2019) by Penelope Jackson
Book Review: “A Philosophy Guide to Street Art and the Law” (2018)
Book Review: “Hitler’s Last Hostages” (2019)
Book Review: “Art and Modern Copyright” (2018)
Book Review: “Females in the Frame: Women, Art, and Crime” (2019)
Book Review: “Art Law and the Business of Art” (2019)
Book Review: “Artist, Authorship & Legacy: A Reader” (2018)
Book Review: “The Bouvier Affair: A True Story” (2019)
Book Review: Joan Kee, “Models of Integrity” (2019)
Book Review: “A Tragic Fate: Law and Ethics in the Battle over Nazi-Looted Art”(2017)
Book Review: “Art Law: A Concise Guide for Artists, Curators, and Art Educators”(2016)
Book Review: “Art and Business: Transactions in Art & Cultural Property” (2016)
Book Review: “Possession: The Curious History of Private Collectors from Antiquity to the Present” (2016)
Book Review: “Fair and just solutions?” (2015)
Book Review: “Visual Arts and the Law: A Handbook for Professionals” (2013)
Book Review: Elizabeth T. Russell’s “Arts Law Conversations”
All Things Come in Threes: Hope reviews Three Recent Publications on Art Forgery
Pitching an idea to e-Textbook Publishers: Trademarks through NY Restaurants
Art Theft – A Sexy Crime?
