• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • 2025 Year-End Appeal
  • Log in
  • Become a Member
  • Donate
  • 2025 Year-End Appeal
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Art law image/svg+xml 2021 Timothée Giet Appropriation or Art? Court Orders Richard Prince to Pay Damages in Highly Anticipated Copyright Lawsuit
Back

Appropriation or Art? Court Orders Richard Prince to Pay Damages in Highly Anticipated Copyright Lawsuit

February 28, 2024

screen shot from the Gagosian site

screen shot from the Gagosian site

By Olivia Zinzi

On January 25, 2024, Judge Sidney H. Stein in the Southern District of New York issued a final judgment in Graham v. Prince and McNatt v. Prince, resolving a yearslong legal debate.[1] In 2015 and 2016, two photographers brought copyright lawsuits against American artist Richard Prince and co-defendants Laurence Gagosian, Gagosian Gallery and Blum & Poe Gallery, accusing the artist and galleries of using their images without explicit permission or license in Prince’s “New Portraits” series.[2]

“New Portraits” debuted at Gagosian in 2014 and Blum & Poe in 2015, and the exhibit involved printed photographs juxtaposed on an Instagram-style backdrop placed onto large canvases with comments and captions beneath the photos.[3] The Prince judgment settled a longstanding dispute and could have ramifications for artists’ use of each other’s work.

Who is Richard Prince and why is that important?

Richard Prince first entered the art scene in the late 1970s.[4] He soon became known for altering and reproducing the compositions of other artists and appropriating images from advertisements and mass media.[5] Prince’s work received critical acclaim, and his success culminated in several major solo exhibitions at museums like the Whitney Museum of American Art (New York), the Solomon R. Guggenheim Museum of Art (New York), and the Bibliothèque nationale de France (Paris).[6] His pieces are in the permanent collections at the Metropolitan Museum of Art (New York), Museum of Fine Arts Collection (Boston), Museum of Modern Art (New York), and the Victoria and Albert Museum (London).[7] Prince has been sued multiple times for copyright infringement.[8]

Why Was He Sued (again)?

In connection with the New Portraits, there are two lawsuits, Graham v. Prince and McNatt v. Prince. Both concerned misappropriation of photographs in Prince’s project as a purported commentary on social media and art.[9]

In Graham, artist Donald Graham owned the copyright for his photograph Rastafarian Smoking a Joint and accused Richard Prince of infringing on his work when he created Untitled (Portrait of a Rastajay92). Prince incorporated Graham’s photograph in his work Portrait of a Rastajay92, which was exhibited at Gagosian’s Madison Avenue Gallery in 2014 and featured on the promotional billboard materials for the Gagosian’s exhibition.[10] Prince sold Portrait of a Rastajay92 to the Gagosian Gallery (the “Gallery”), and the owner of the Gallery, Lawrence Gagosian, later purchased the work from the Gallery.[11] In 2015, Graham sued Prince and the Gallery for copyright infringement seeking the profits the Gallery and Prince earned from selling the allegedly infringing work and sued Lawrence Gagosian to recover “unrealized profits” to be earned if the owner resold Portrait of a Rastajay 92.[12] The court granted partial summary judgment in favor of the Gagosian defendants on the issue of indirect profits.[13]

(Credit: Complaint S.D.N.Y. https://www.courtlistener.com/docket/4356365/graham-v-prince/)On the left is Graham’s photograph Rastafarian Smoking a Joint and on the right is Prince’s Portrait of a Rastajay92.
Complaint S.D.N.Y. https://www.courtlistener.com/docket/4356365/graham-v-prince/ On the left is Graham’s photograph Rastafarian Smoking a Joint and on the right is Prince’s Portrait of a Rastajay92.

 

The second suit, filed in November 2016, McNatt v. Prince, concerns photographer Eric McNatt who accused Prince of copyright infringement and misappropriation of his portrait of Kim Gordon.[14] Prince incorporated McNatt’s photograph into his work as an Instagram post, similar to his work on Rastafarian Smoking a Joint. Prince’s reproduction of McNatt’s work was shown at the art gallery Blum & Poe in Tokyo in 2015 and eventually sold by Blum & Poe.[15]

Complaint S.D.N.Y. https://www.courtlistener.com/docket/4539741/mcnatt-v-prince/On the left is McNatt’s Kim Gordon I and on the right is Prince’s Portrait of Kim Gordon
(Credit: Complaint S.D.N.Y. https://www.courtlistener.com/docket/4539741/mcnatt-v-prince/) On the left is McNatt’s Kim Gordon I and on the right is Prince’s Portrait of Kim Gordon

What were the legal arguments?

In Graham and McNatt, the plaintiffs sought compensation from Prince and the Galleries that sold his pieces for artwork they saw as infringing on their copyrights. However, Prince and the Galleries disagreed and subsequently moved to dismiss the lawsuits. Judge Stein rejected Prince’s motions and allowed the case to proceed.

Prince’s legal team asserted a fair use defense, arguing that by adding the Instagram frame and interface along with likes and comments, as well as the “intentional cropping of images” and “absurdly proportioned scale,” Prince had transformed the image.[16] The main legal question boiled down to the validity of Prince’s fair use argument.

Under the Copyright Act of 1976, fair use is an affirmative defense to federal copyright protection.[17] Fair use protects a creator’s ability to build upon prior art and is a check on the power that copyright affords to its rights holders. U.S. courts, based on the “totality of the circumstances,” look at four factors to determine whether a particular use falls under this narrow exception.[18] The four factors are (1) purpose and character of the use; (2) nature of the copyrighted work; (3) amount and substantiality of the portion used; and (4) the effect of the use. “Purpose and Character” considers whether the new work “transforms” the previous work either through a new perspective, meaning, message or purpose.[19] “Nature of the copyrighted work” assesses the extent to which the work is a creative or imaginative work, therefore determining if it is the type of work that is integral to copyright’s core goal of furthering creativity.[20] “Amount and substantiality of the portion used,” requires the courts to look at the quantity and quality of the copyrighted portion used in the allegedly infringing work.[21] The Effect of the Use examines the potential market for or value of the copyrighted work.[22] No one factor is determinative on its own, though the first and fourth usually have the most weight.[23]

According to the plaintiffs, Prince reproduced their works without making substantive changes of his own but according to Prince’s lawyers, he “transformed” the photographs when he produced Instagram screenshots of them along with added commentary in the form of a caption and comment.[24] Prince argued that he transformed “austere” images of “a female rocker in a defiant pose” and “a Rastafarian smoking marijuana” into an “ode to social media.”[25] Ultimately, this argument did not convince the Court.

Instead, Judge Stein ruled that Prince’s modifications to Graham’s photograph—one line of text and spatial differences in cropping and scale—were insufficiently transformative. Judge Stein agreed with the plaintiffs that Prince had not materially altered the composition, presentation, scale, color palette, and media originally used by Graham and McNatt. The cases were pending in the Southern District of New York until the Warhol decision of 2023.[26]

When’s the Court Date?

In a pre-trial conference on January 19, 2024 Judge Stein said the fair use of the photographs was a mixed question of law and fact, and one that would not easily be decided using the fair use test.[27] Graham and McNatt’s trials had been scheduled to start in February.[28] Two judgments filed in New York awarded damages to Graham and McNatt in the amount of five times the sales price of Prince’s “New Portraits” works produced from Graham’s Rastafarian Smoking a Joint and McNatt’s Kim Gordon 1.[29] Following negotiations, Prince agreed to pay $200,000 to Graham, $450,000 to McNatt and $250,000 in other costs.[30] These penalties were far greater than the retail prices of Prince’s pieces.[31]

Judge Stein dismissed Prince’s defenses and enjoined the defendants from making any future modifications, reproductions, distribution, promotion, derivatives or sales of Graham and McNatt’s works.[32]

What is the Importance of this Outcome?

Not only copyright lawyers but also gallerists and artists were anxiously awaiting the Prince rulings to see how the Supreme Court’s recent decision in Andy Warhol Foundation For the Visual Arts, Inc. v. Goldsmith et al would affect the Prince infringement cases. In Goldsmith, the U.S. Supreme Court ruled that to avoid copyright infringement, a second artist who bases a new work on an earlier one must have a compelling justification to use the first image when the two works have a highly similar commercial use.[33] The Court decided 7-2 against the Warhol Foundations’s fair use defense for a painting appropriating a photographer’s portrait of the musician Prince.[34] Experts guessed that the Goldmith ruling would influence the Richard Prince case but it did not have much of a spillover effect.[35]

Despite the factual similarities in the Prince and Goldsmith litigations, the Prince settlement and limited judgment deprives attorneys and artists of clarity regarding fair use since there was not a full decision assessing each of the fair use factors. The final judgments thus do not serve as a clear reference point for future courts when it comes to applying and interpreting the fair use defense.[36]

After Cariou v. Prince, a prior copyright infringement case against both Richard Prince and Gagosian, the Gallery continued to represent the controversial artist and is continuing to do so now with the next solo show scheduled to start on March 9.[37]

Prince is still a darling of the blue chip collectors and his works sell for record prices at auction. What are appropriation artists and galleries that represent them to take away from the latest chapter in the Prince brush up with copyright law? In an interview in 2016, at the age of 67, amid the earlier appropriation controversy, Prince told Vulture “I’m not going to change, I’m not going to ask for permission, I’m not going to do it.”[39] Now at 74, Prince is keeping effectively silent with no recent posts on Instagram or X (formerly known as Twitter). Might he get sued again for making …. art? Only time will tell.

Suggested Readings:

Carl Swanson, Is Richard Prince the Andy Warhol of Instagram?, Vulture (Apr. 18, 2016), available at https://www.vulture.com/2016/04/richard-prince-the-andy-warhol-of-instagram.html.

Matt Stevens, Richard Prince to Pay Photographers Who Sued Over Copyright, New York Times (Jan. 26, 2024), available at https://www.nytimes.com/2024/01/26/arts/design/richard-prince-copyright-lawsuit.html.

About the Author:

Olivia Zinzi is a Legal Intern at the Center for Art Law. She is a 3L at Northeastern University School of Law and received her BA in government and art history from Georgetown University. She is an Articles Editor for the Northeastern University Law Review and is interested in intellectual property, corporate law and technology.

Sources:

  1. Tessa Solomon, Court Releases ‘Final Judgement’ in Richard Prince and Galleries Copyright Cases, ArtNews (Jan. 26, 2024), available at https://www.artnews.com/art-news/news/judge-rules-against-richard-prince-and-galleries-in-closely-watched-copyright-lawsuits-1234694318/. ↑
  2. Tessa Solomon, Court Releases ‘Final Judgement’ in Richard Prince and Galleries Copyright Cases, ArtNews (Jan. 26, 2024), available at https://www.artnews.com/art-news/news/judge-rules-against-richard-prince-and-galleries-in-closely-watched-copyright-lawsuits-1234694318/. ↑
  3. Matt Stevens, Richard Prince to Pay Photographers Who Sued Over Copyright, New York Times (Jan. 26, 2024), available at https://www.nytimes.com/2024/01/26/arts/design/richard-prince-copyright-lawsuit.html. ↑
  4. Richard Prince – About, Gagosian, available at https://gagosian.com/artists/richard-prince/. ↑
  5. Richard Prince – About, Gagosian, available at https://gagosian.com/artists/richard-prince/. ↑
  6. Richard Prince – About, Gagosian, available at https://gagosian.com/artists/richard-prince/. ↑
  7. Richard Prince – About, Gagosian, available at https://gagosian.com/artists/richard-prince/. ↑
  8. See also Cariou v. Prince, 714 F.3d 694 (2d Cir. 2013). ↑
  9. Blake Brittain, Artist Richard Prince to Pay Photographers in Copyright Fight, Reuters (Jan. 26, 2024), available at https://www.reuters.com/legal/litigation/artist-richard-prince-pay-photographers-copyright-fight-2024-01-26/. ↑
  10. Graham v. Prince, 1:15-cv-10160-SHS (S.D.N.Y. Jan. 24, 2024), available at https://casetext.com/case/graham-v-prince-10; Tessa Solomon, Court Releases ‘Final Judgement’ in Richard Prince and Galleries Copyright Cases, ArtNews (Jan. 26, 2024), available at https://www.artnews.com/art-news/news/judge-rules-against-richard-prince-and-galleries-in-closely-watched-copyright-lawsuits-1234694318/. ↑
  11. Graham v. Prince, 1:15-cv-10160-SHS (S.D.N.Y. Jan. 24, 2024), available at https://casetext.com/case/graham-v-prince-10; Tessa Solomon, Court Releases ‘Final Judgement’ in Richard Prince and Galleries Copyright Cases, ArtNews (Jan. 26, 2024), available at https://www.artnews.com/art-news/news/judge-rules-against-richard-prince-and-galleries-in-closely-watched-copyright-lawsuits-1234694318/. ↑
  12. Alex Greenberger, Part of Richard Prince Lawsuit Is Tossed Out, Giving Gagosian Gallery a Small Win, ArtNews (Sep. 14, 2023), available athttps://www.artnews.com/art-news/news/richard-prince-lawsuit-donald-graham-gagosian-claim-tossed-1234679600. ↑
  13. Graham v. Prince, 15-CV-10160 (SHS) (S.D.N.Y. Sep. 11, 2023), available at https://www.nysd.uscourts.gov/sites/default/files/2023-09/15cv10160%20Opinion%20and%20Order%20sept%2011%202023.pdf. ↑
  14. McNatt v. Prince, 1:16-cv-08896-SHS (S.D.N.Y. Jan. 24, 2024), available at https://www.artnews.com/art-news/news/judge-rules-against-richard-prince-and-galleries-in-closely-watched-copyright-lawsuits-1234694318/. ↑
  15. Tessa Solomon, Court Releases ‘Final Judgement’ in Richard Prince and Galleries Copyright Cases, ArtNews (Jan. 26, 2024), available at https://www.artnews.com/art-news/news/judge-rules-against-richard-prince-and-galleries-in-closely-watched-copyright-lawsuits-1234694318/. ↑
  16. Sarah Cascone, A Judge Has Greenlit Two Lawsuits Against Appropriation Artist Richard Prince From Photographers Who Say He Stole Their Work, Artnet (May 15, 2023), available at https://news.artnet.com/art-world/richard-prince-instagram-fair-use-lawsuit-to-proceed-2301826#:~:text=In%20his%20defense%2C%20Prince’s%20lawyers,and%20result%20in%20%E2%80%9Cdramatically%20different. ↑
  17. 17 U.S. C. § 107 (2012), available at https://www.law.cornell.edu/uscode/text/17/107. ↑
  18. 17 U.S.C. § 107 (2012), available at https://www.copyright.gov/fair-use/; Justin Ross, Copyright Cases Visual Artists Should Know: Part 3, Fair Use, Copyright Alliance (Nov. 30, 2023), available at https://copyrightalliance.org/copyright-cases-visual-artists-fair-use/. ↑
  19. Harper & Row v. Nation Enterprises, 471 U.S. 539 (1985). ↑
  20. Harper & Row v. Nation Enterprises, 471 U.S. 539 (1985). ↑
  21. Harper & Row v. Nation Enterprises, 471 U.S. 539 (1985). ↑
  22. Harper & Row v. Nation Enterprises, 471 U.S. 539 (1985). ↑
  23. Richard Stim, Measuring Fair Use: The Four Factors, Stanford Libraries (2019), available at https://fairuse.stanford.edu/overview/fair-use/four-factors/. ↑
  24. Blake Brittain, Artist Richard Prince to Pay Photographers in Copyright Fight, Reuters (Jan. 26, 2024), available at https://www.reuters.com/legal/litigation/artist-richard-prince-pay-photographers-copyright-fight-2024-01-26/. ↑
  25. Blake Brittain, Artist Richard Prince to Pay Photographers in Copyright Fight, Reuters (Jan. 26, 2024), available at https://www.reuters.com/legal/litigation/artist-richard-prince-pay-photographers-copyright-fight-2024-01-26/. ↑
  26. Andy Warhol Foundation for the Visual Arts, Inc. v. Goldsmith (598 U.S. ___, 2023). ↑
  27. Franklin Graves, Richard Prince Effectively Settles, Dodging Post-Warhol Fair Use Ruling, IPWatchdog (Jan. 29, 2024), available at https://ipwatchdog.com/2024/01/29/richard-prince-settles-dodging-post-warhol-fair-use-ruling/id=172482/#. ↑
  28. Franklin Graves, Richard Prince Effectively Settles, Dodging Post-Warhol Fair Use Ruling, IPWatchdog (Jan. 29, 2024), available at https://ipwatchdog.com/2024/01/29/richard-prince-settles-dodging-post-warhol-fair-use-ruling/id=172482/#. ↑
  29. Graham v. Prince, 1:15-cv-10160-SHS (S.D.N.Y. Jan. 24, 2024), available at https://casetext.com/case/graham-v-prince-10; McNatt v. Prince, 1:16-cv-08896-SHS (S.D.N.Y. Jan. 24, 2024), available at https://casetext.com/case/mcnatt-v-prince-3. ↑
  30. Matt Stevens, Richard Prince to Pay Photographers Who Sued Over Copyright, New York Times (Jan. 26, 2024), available at https://www.nytimes.com/2024/01/26/arts/design/richard-prince-copyright-lawsuit.html. ↑
  31. Daniel Grant, Richard Prince Ordered to Pay Damages to Photographers in Copyright Infringement Lawsuits Over Instagram Portraits, The Art Newspaper (Jan. 26, 2024), available at https://www.theartnewspaper.com/2024/01/26/judge-rules-against-richard-prince-copyright-infringement-instagram-portraits. ↑
  32. Graham v. Prince, 1:15-cv-10160-SHS (S.D.N.Y. Jan. 24, 2024), available at https://casetext.com/case/graham-v-prince-10. ↑
  33. Andy Warhol Foundation for the Visual Arts, Inc. v. Goldsmith (598 U.S. ___, 2023);Clara Casan, Case Review: Warhol v. Goldsmith, Center for Art Law (Dec. 5, 2018), available at https://itsartlaw.org/2018/12/05/case-review-warhol-v-goldsmith/. ↑
  34. Franklin Graves, Richard Prince Effectively Settles, Dodging Post-Warhol Fair Use Ruling, IPWatchdog (Jan. 29, 2024), available at https://ipwatchdog.com/2024/01/29/richard-prince-settles-dodging-post-warhol-fair-use-ruling/id=172482/#; Matt Stevens, Richard Prince to Pay Photographers Who Sued Over Copyright, New York Times (Jan. 26, 2024), available at https://www.nytimes.com/2024/01/26/arts/design/richard-prince-copyright-lawsuit.html. ↑
  35. Matt Stevens, Richard Prince to Pay Photographers Who Sued Over Copyright, New York Times (Jan. 26, 2024), available at https://www.nytimes.com/2024/01/26/arts/design/richard-prince-copyright-lawsuit.html. ↑
  36. Franklin Graves, Richard Prince Effectively Settles, Dodging Post-Warhol Fair Use Ruling, IPWatchdog (Jan. 29, 2024), available at https://ipwatchdog.com/2024/01/29/richard-prince-settles-dodging-post-warhol-fair-use-ruling/id=172482/#. ↑
  37. Franklin Graves, Richard Prince Effectively Settles, Dodging Post-Warhol Fair Use Ruling, IPWatchdog (Jan. 29, 2024), available at https://ipwatchdog.com/2024/01/29/richard-prince-settles-dodging-post-warhol-fair-use-ruling/id=172482/#. ↑
  38. Richard Prince – Exhibitions, Gagosian, available at https://gagosian.com/artists/richard-prince/. ↑
  39. Carl Swanson, Is Richard Prince the Andy Warhol of Instagram?, Vulture (Apr. 18, 2016), available at https://www.vulture.com/2016/04/richard-prince-the-andy-warhol-of-instagram.html. ↑

 

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous Is it Strictly Business?: Shifts in the Artist-Dealer Landscape
Next Compliance and Risk Management In the Art World

Related Posts

Screen shot

WYWH: Review of “Cultural Property: Current Problems Meet Established Law”

April 29, 2015
A Recent Entrance to Paradise, Creativity Machine (Source: opinion letter)

Case Review: Thaler v. Perlmutter (2023)

December 11, 2023

U.S. Museums’ Use of Declaratory Judgments to Preempt Nazi-Looted Art Claims

November 18, 2009
Center for Art Law
Sofia Tomilenko Let there be light!

A Gift for Us

this Holiday Season

Thank you to Sofia Tomilenko (the artist from Kyiv, Ukraine who made this Lady Liberty for us) and ALL the artists who make our life more meaningful and vibrant this year! Let there be light in 2026!

 

Last Gift of 2025
Guidelines AI and Art Authentication

AI and Art Authentication

Explore the new Guidelines for AI and Art Authentication for the responsible, ethical, and transparent use of artificial intelligence.

Download here
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Where did you go to recharge your batteries? Where did you go to recharge your batteries?
Let there be light! Center for Art Law is pleased Let there be light! Center for Art Law is pleased to share with you a work of art by Sofia Tomilenko, an illustration artist from Kyiv, Ukraine. This is Sofia's second creation for us and as her Lady Liberty plays tourist in NYC, we wish all of you peace and joy in 2026! 

Light will overcome the darkness. Світло переможе темряву. Das Licht wird die Dunkelheit überwinden. La luz vencerá la oscuridad. 

#artlaw #peace #artpiece #12to12
Writing during the last days and hours of the year Writing during the last days and hours of the year is de rigueur for nonprofits and what do we get?

Subject: Automatic reply: Thanks to Art Law! 

"I am now on leave until January 5th. 
. . .
I will respond as soon as I can upon on my return. For anything urgent you may contact ..."

Well, dear Readers, Students, Artists and Attorneys, we see you when you're working, we know when you're away, and we promise that in 2026 Art Law is coming to Town (again)!

Best wishes for 2026, from your Friends at the Center for Art Law!

#fairenough #snowdays #2026ahead #puttingfunback #fundraising #EYO2025
Less than a week left in December and together we Less than a week left in December and together we have raised nearly $32,000 towards our EOY fundraising $35,000 goal. If we are ever camera shy to speak about our accomplishments or our goals, our work and our annual report speak for themselves. 

Don’t let the humor and the glossy pictures fool you, to reach our full potential and new heights in 2026, we need your vote of confidence. No contribution is too small. What matters most is knowing you are thinking of the Center this holiday season. Thank you, as always, for your support and for being part of this community! 

#artlaw #EOYfundraiser #growingin2026 #AML #restitution #research #artistsright #contracts #copyright #bringfriends
This summer, art dealer James White and appraiser This summer, art dealer James White and appraiser Paul Bremner pleaded guilty for their participation in the third forgery ring of Norval Morisseau works uncovered by Canadian authorities. Their convictions are a key juncture in Canda's largest art fraud scheme, a scandal that has spanned decades and illuminated deep systemic failures within the art market to protect against fraud. 

Both White and Bremner were part of what is referred to as the 'Cowan Group,' spearheaded by art dealer Jeffrey Cowan. Their enterprise relied on Cowan fabricating provenance for the forged works, which he claimed were difficult to authenticate. 

In June, White, 87, pleaded guilty to to creating forged documents and possessing property obtained by crime for the purpose of trafficking. Later, in July, Paul Bremner pleaded guilty to producing and using forged documents and possessing property obtained through crime with the intent of trafficking. While Bremner, White, and Cowan were all supposed to face trial in the Fall, Cowan was the only one to do so and was ultimately found guilty on four counts of fraud. 

🔗 Click the link in our bio to read more.

#centerforartlaw #artlaw #legalresearch #artfraud #artforgery #canada #artcrime #internationallaw
It's the season! It's the season!
In 2022, former art dealer Inigo Philbrick was sen In 2022, former art dealer Inigo Philbrick was sentenced to seven years in prison for committing what is considered one of the United States' most significant cases of art fraud. With access to Philbrick's personal correspondence, Orlando Whitfield chronicled his friendship with the disgraced dealer in a 2024 memoir, All that Glitters: A Story of Friendship, Fraud, and Fine Art. 

For more insights into the fascinating story of Inigo Philbrick, and those he defrauded, read our recent book review. 

🔗 Click the link in our bio to read more!

#centerforartlaw #legalresearch #artlaw #artlawyer #lawer #inigophilbrick #bookreview #artfraud
The highly publicized Louvre heist has shocked the The highly publicized Louvre heist has shocked the globe due to its brazen nature. However, beyond its sheer audacity, the heist has exposed systemic security weaknesses throughout the international art world. Since the theft took place on October 19th, the French police have identified the perpetrators, describing them as local Paris residents with records of petty theft. 

In our new article, Sarah Boxer explores parallels between the techniques used by the Louvre heists’ perpetrators and past major art heists, identifying how the theft reveals widespread institutional vulnerability to art crime. 

🔗 Click the link in our bio to read more!

#centerforartlaw #artlaw #legalresearch #artcrime #theft #louvre #france #arttheft #stolenart
In September 2025, 77-year old Pennsylvania reside In September 2025, 77-year old Pennsylvania resident Carter Reese made headlines not only for being Taylor Swift's former neighbor, but also for pleading guilty to selling forgeries of Picasso, Basquiat, Warhol, and others. This and other recent high profile forgery cases are evidence of the art market's ongoing vulnerability to fraudulent activity. Yet, new innovations in DNA and artificial intelligence (AI) may help defend against forgery. 

To learn more about how the art market's response to fraud and forgery is evolving, read our new article by Shaila Gray. 

🔗 Click the link in our bio to read more!

#centerforartlaw #artlaw #legalresearch #artlawyer #lawyer #AI #forgery #artforgery #artfakes #authenticity
Did you know that Charles Dickens visited America Did you know that Charles Dickens visited America twice, in 1842 and in 1867? In between, he wrote his famous “A Tale of Two Cities,” foreshadowing upheavals and revolutions and suggesting that individual acts of compassion, love, and sacrifice can break cycles of injustice. With competing demands and obligations, finding time to read books in the second quarter of the 21st century might get increasingly harder. As we live in the best and worst of times again, try to enjoy the season of light and a good book (or a good newsletter).

From all of us at the Center for Art Law, we wish you peace, love, and understanding this holiday season. 

🔗 Read more by clicking the link in our bio!

#centerforartlaw #artlaw #legalresearch #artlawyer #december #newsletter #lawyer
Is it, or isn’t it, Vermeer? Trouble spotting fake Is it, or isn’t it, Vermeer? Trouble spotting fakes? You are not alone. Donate to the Center for Art Law, we are the real deal. 

🔗 Click the link in our bio to donate today!

#centerforartlaw #artlaw #legalresearch #endofyear #givingtuesday #donate #notacrime #framingartlaw
Whether legal systems are ready or not, artificial Whether legal systems are ready or not, artificial intelligence is making its way into the courtroom. AI-generated evidence is becoming increasingly common, but many legal professionals are concerned that existing legal frameworks aren't sufficient to account for ethical dilemmas arising from the technology. 

To learn more about the ethical arguments surrounding AI-generated evidence, and what measures the US judiciary is taking to respond, read our new article by Rebecca Bennett. 

🔗 Click the link in our bio to read more!

#centerforartlaw #artlaw #legalresearch #artlawyer #lawyer #aiart #courtissues #courts #generativeai #aievidence
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law
 

Loading Comments...
 

You must be logged in to post a comment.