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Home EventImmigration Clinic for Artists @ New York Foundation for the Arts (Jan. 2020)

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Immigration Clinic for Artists @ New York Foundation for the Arts (Jan. 2020)

January 30, 2020

About this Event

This Clinic was designed to guide emerging visual artists through the process of obtaining a visa to the United States.

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Previous You’ve Been Served: “Struggle: The Life and Lost Art of Szukalski” (2018)

Next You’ve Been Served: “Driven to Abstraction” (2019) + Q&A with the Director

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this Holiday Season

Thank you to Sofia Tomilenko (the artist from Kyiv, Ukraine who made this Lady Liberty for us) and ALL the artists who make our life more meaningful and vibrant this year! Let there be light in 2026!

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Our interns do the most. Check out a day in the life of Lauren Stein, a 2L at Wake Forest, as she crushes everything in her path.

Want to help us foster more great minds? Donate to Center for Art Law.

🔗 Click the link below to donate today!

https://itsartlaw.org/donations/new-years-giving-tree/

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Paul Cassier (1871-1926 was an influential Jewish

Paul Cassier (1871-1926 was an influential Jewish art dealer. He owned and ran an art gallery called Kunstsalon Paul Cassirer along with his cousin. He is known for his role in promoting the work of impressionists and modernists like van Gogh and Cézanne.

Cassier was seen as a visionary and risk-tasker. He gave many now famous artists their first showings in Germany including van Gogh, Manet, and Gaugin. Cassier was specifically influential to van Gogh's work as this first showing launched van Gogh's European career.

🔗 Learn more about the impact of his career by checking out the link in our bio!

#centerforartlaw #artlaw #legalresearch #law #lawyer #artlawyer #artgallery #vangogh

No strike designations for cultural heritage are o

No strike designations for cultural heritage are one mechanism by which countries seek to uphold the requirements of the 1954 Hague Convention. As such, they are designed to be key instruments in protecting the listed sites from war crimes. Yet not all countries maintain such inventories of their own whether due to a lack of resources, political views about what should be represented, or the risk of misuse and abuse. This often places the onus on other governments to create lists about cultures other than their own during conflicts. Thus, there may be different lists compiled by different governments in a conflict, creating an unclear legal landscape for determining potential war crimes and raising significant questions about the effectiveness of no strikes as a protection mechanism.

This presentation discusses current research seeking to empirically evaluate the effectiveness of no strike designations as a protection mechanism against war crimes in Syria. Using data on cultural heritage attacks from the height of the Syrian Conflict (2014-2017) compiled from open sources, a no strike list completed in approximately 2012, and measures of underlying risk, this research asks whether the designations served as a protective factor or a risk factor for a given site and the surrounding area. Results and implications for holding countries accountable for war crimes against cultural heritage are discussed.

🎟️ Grab your tickets using the link in our bio!

#centerforartlaw #artlaw #artlawyer #legalresearch #lawyer #culturalheritage #art #protection

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We would like to also thank Rebecca Bennett for all of her help on this episode.

🎙️ Click the link in our bio to listen anywhere you get your podcasts.

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Light will overcome the darkness. Світло переможе темряву. Das Licht wird die Dunkelheit überwinden. La luz vencerá la oscuridad.

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Writing during the last days and hours of the year

Writing during the last days and hours of the year is de rigueur for nonprofits and what do we get?

Subject: Automatic reply: Thanks to Art Law!

"I am now on leave until January 5th.
. . .
I will respond as soon as I can upon on my return. For anything urgent you may contact ..."

Well, dear Readers, Students, Artists and Attorneys, we see you when you're working, we know when you're away, and we promise that in 2026 Art Law is coming to Town (again)!

Best wishes for 2026, from your Friends at the Center for Art Law!

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Less than a week left in December and together we

Less than a week left in December and together we have raised nearly $32,000 towards our EOY fundraising $35,000 goal. If we are ever camera shy to speak about our accomplishments or our goals, our work and our annual report speak for themselves.

Don’t let the humor and the glossy pictures fool you, to reach our full potential and new heights in 2026, we need your vote of confidence. No contribution is too small. What matters most is knowing you are thinking of the Center this holiday season. Thank you, as always, for your support and for being part of this community!

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Both White and Bremner were part of what is referred to as the 'Cowan Group,' spearheaded by art dealer Jeffrey Cowan. Their enterprise relied on Cowan fabricating provenance for the forged works, which he claimed were difficult to authenticate.

In June, White, 87, pleaded guilty to to creating forged documents and possessing property obtained by crime for the purpose of trafficking. Later, in July, Paul Bremner pleaded guilty to producing and using forged documents and possessing property obtained through crime with the intent of trafficking. While Bremner, White, and Cowan were all supposed to face trial in the Fall, Cowan was the only one to do so and was ultimately found guilty on four counts of fraud.

🔗 Click the link in our bio to read more.

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For more insights into the fascinating story of Inigo Philbrick, and those he defrauded, read our recent book review.

🔗 Click the link in our bio to read more!

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In our new article, Sarah Boxer explores parallels between the techniques used by the Louvre heists’ perpetrators and past major art heists, identifying how the theft reveals widespread institutional vulnerability to art crime.

🔗 Click the link in our bio to read more!

#centerforartlaw #artlaw #legalresearch #artcrime #theft #louvre #france #arttheft #stolenart

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