The Library

Below is a list of books and journals that the Center for Art Law compiles in our quest to keep track of the art law publications and relevant scholarship.

If you are working on a new title, or your book is already out, and you would like to have it included in the Repository, please send us information about it (Title, Author/Editor(s), Date of Publication; ISBN, short summary, link to your publisher/distributor).

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721 results
Censorship in Polish Art After 1989 Art Law Library

Censorship in Polish Art After 1989: Art, Law, Politics

Jakub Dąbrowski and Anna Demenko
English
October 2019

Censorship in Polish Art After 1989 is a pioneering work on censorship in Polish art after the fall of the USSR available in English for the first time with a skilled translation by Łukasz Mojsak and Aleksandra Sobczak. Polish Art Historian Jakub Dąbrowski, with contributions from Anna Demenko, offers the first comprehensive study to analyze the problems of restricting the freedom of artistic expression in the Third Polish Republic. Censorship in Polish Art After 1989 includes two complementary approaches – legal and historical (including political and social aspects of the phenomenon).

Cite

Jakub Dąbrowski and Anna Demenko, Censorship in Polish Art After 1989: Art, Law, Politics, October 2019
Buying and Selling Art and Collectibles Art Law Library

Buying and Selling Art and Collectibles: A Legal Guide

Armen R. Vartian and Laura C. Tiemstra
English
March 2022

“Buying art and collectibles is a passion for Americans. From the imposing sales rooms at Sotheby’s to the local swap meet, we all search for objects that are interesting or will increase in value over time (hopefully, both). But few of us know where to go to learn our legal rights and remedies when buying or selling art and collectibles. For example, what if a work of art turns out to be a fake? Or a “rare” stamp or coin isn’t as rare as the dealer said? When buying or selling through auction houses, can you negotiate the commission and other terms? Are insurance and other expenses related to art or collectibles tax deductible? This book answers those questions and many, many others, and gives the reader a good working knowledge of legal aspects of buying and selling art and collectibles.”

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Armen R. Vartian and Laura C. Tiemstra, Buying and Selling Art and Collectibles: A Legal Guide, March 2022
Artificial Intelligence Visual Arts and Copyright Art Law Library

Artificial Intelligence, Visual Arts and Copyright: A Multidisciplinary Analysis

Enrico Bonadio and Siri-Helen Egeland
English
February 2027

This book examines the impact of generative artificial intelligence (AI) on the intersection between visual arts and copyright law.

Incorporating perspectives from multiple academic disciplines, as well as from practitioners such as artists, curators and art lawyers, this book adds a much-needed multidisciplinary perspective to ongoing global discussions both about how AI is shaping the future of visual arts, as well as the specific copyright questions that follow. Taking up a wide range of topics – such as the place of AI in the art museum sector, the ongoing evolution of how copyright deals with AI, the role of AI in the commoditisation of art, and AI and rights licensing – the book engages the most pressing issues at the intersection of AI, art and copyright. Its combining of theoretical analysis with practitioner insights further offers a breadth of engagement that is essential in understanding the copyright challenges of the AI era.

This book will appeal to legal scholars and students with relevant interests, as well curators and other professionals working in the areas of art and cultural heritage perspective.

Cite

Enrico Bonadio and Siri-Helen Egeland, Artificial Intelligence, Visual Arts and Copyright: A Multidisciplinary Analysis, February 2027
Advances in Archaeological Practice Art Law Library

NAGPRA in Archaeological Practice: Implementing Duty of Care

Jennifer R. Haas, Jennifer R. Haas, Brooke Morgan , Ellen Lofaro , Jayne-Leigh Thomas , Sarah O’Donnell ,Nina M. Schreiner and Miranda Panther
English
August 2025

This article examines how Native Nations and institutions have been affected by a new directive in the revised NAGPRA regulations, the duty of care provision (43 CFR 10.1(d)), with a focus on the care of Indigenous Ancestral remains and cultural items. The Native Nation’s perspective is provided by the Osage Nation and the Eastern Band of Cherokee Indians. The South Carolina Institute of Archaeology and Anthropology; the University of Tennessee, Knoxville; the Illinois State Museum; and Indiana University share their viewpoints as institutions that house Indigenous Ancestral remains, cultural items, and archaeological collections and describe the initial impacts of the revised legislation on their programs. There are several key takeaways of its initial effects, including (1) an increased burden to Native Nations, given the substantial uptick in requests for consultation linked to new requirements for consent and the revised definitions of cultural items and research (although the end result of more consultations leading to repatriations is desired), (2) a disconnect between Native Nations and institutions regarding cultural item identification, (3) a strengthening of existing NAGPRA-related institutional policies and procedures, and (4) an emphasis on the importance of consultation between institutions and Native Nations to facilitate repatriation.

Cite

Jennifer R. Haas, Jennifer R. Haas, Brooke Morgan , Ellen Lofaro , Jayne-Leigh Thomas , Sarah O’Donnell ,Nina M. Schreiner and Miranda Panther, NAGPRA in Archaeological Practice: Implementing Duty of Care, August 2025
Museums as Agents of Change Art Law Library

Museums as Agents of Change

Mike Murawski
English
April 2021

Museums everywhere have the potential to serve as agents of change—bringing people together, contributing to local communities, and changing people’s lives. So how can we, as individuals, radically expand the work of museums to live up to this potential? How can we more fiercely recognize the meaningful work that museums are doing to enact change around the relevant issues in our communities? How can we work together to build a stronger culture of equity and care within museums?? Questions like these are increasingly vital for all museum professionals to consider, no matter what your role is within your institution. They are also important questions for all of us to be thinking about more deeply as citizens and community members. This book is about the work we need to do to become changemakers and demand that that our museums take action toward positive social change and bring people together into a more just, equitable, compassionate, and connected society. It is a journey toward tapping the energies within all of us to make change happen and proactively shape a new future.

Cite

Mike Murawski , Museums as Agents of Change, April 2021